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Maria Lampadaridou Pothou

poet novelist playwright

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Current affairs

School of second chance: Korydallos prison

27th October 2008 By maria

korydallos lampadaridou storm lamp

When I sent my novel "With the Storm Lamp" to Korydallos prisons, it never occurred to me for a moment that the convicts themselves would find it so interesting as to invite me for a meeting with them.

The idea of sending this novel to the convicts existed since I was writing the book. Because my hero, Samuel of Helen, experienced prison and its misery, then went on a path of inner ascension which is a path to catharsis and self-knowledge.

And all this in a hyperrealistic novel, with supernatural phenomena, which means, a novel where the Invisible overthrows reality and the dead soldier breaks the barrier of cosmic silence.

Ever since the idea was born to send the book, I've been struggling with it. I considered it an expression of respect for them. I expressed my thought to the first publisher, Alexander Kalendis, and he accepted it straight away. After consulting with the Warden, Mr. George Zouganelis, we sent two hundred copies. I told him to distribute them to be read or to be discarded. One morning, I get a phone call that the convicts have expressed a desire to talk to me.

On June 24, at 10:00 am, I was there. Heavy doors that unlocked one after another, a long narrow corridor, so narrow that two people can't fit together, and we reached an auditorium. There were some seventy convicts waiting for us, their age from about thirty-five to forty-five. Along with Mr. Zouganelis was also a philologist, Ms. Antoniadou, and they explained to me that they were all attending the "Second Chance School". I sat on the chair, my hands trembling. Their faces were tensed, their eyes on me were inquisitive. Some said 'welcome', and they gave me courage. Others held the book. I said a few words at the beginning. Simple words, which I believed in. I believed everything I was saying because I felt that these people had a perception that cut across both sides. The first to speak was holding the book in his hand and said, "Samuel made so many mistakes but paid for them and became a different man". I explained to him that the word mistake (λάθος) comes from the word oblivion (λήθη). "Does it mean that when we make mistakes we are in a state of forgetfulness?", asked someone else. “Yes", I replied to them "but by making mistakes we kill our souls. To kill means to plunge someone - or my soul - in the dark (σκότος)." They liked it. And their silence was lifted. The tension in their faces faded and the discussion was now taken to another level, with a bright thought and perception. It was Vassilis, Dimitris, John, Zachos, Eddie, Apostolis. Dimitris asked to read a passage from the novel: "He preferred to recreate life in more humane ways, to invent it, to retrieve from within those other dimensions, the invisible, that only certain creatures doomed, lovers of fate or torment can experience." It was read aloud so everyone could listen. A few minutes of silence followed. Later, John asked to read another part of the book: When everything was burned because the sun had not set for three days but turned back and burned the people and the world. And when it was raining on the third day, Samuel stood in the midst of the rubble, and said, "I want to live, to live again".

I stayed for more than two hours. From the closed windows, the morning light came in and made the room shine. And I, for some moments, forgot that I was in prison, among people who lived to the bone the never-ending night of loneliness. In the course of my life, I have had endless meetings with readers of my books, in endless events, in endless discussions. Today I feel like none was as meaningful as that of the convicted audience. An angry audience trying to find a crack of light in their soul. None of all the meetings with my readers was as meaningful for me. Souls who thirst for a word of compassion. A little respect for them so that they can respect themselves. To be able to help their soul escape the darkness. "We have lived through everything you write in the book as if you wrote it for us ..." Vassilis said. And I was thinking that I might as well have written it for them.

In the end, some came for an autograph. Others stood by me, said thank you, and waited. I hesitated for a few moments and then shook hands. They all shook their hands one by one, and they said thank you. But I thank them. Because I was taught that a book can help a soul.

Published in Eleutherotypia newspaper 27 October 2008

Link to the original

Filed Under: Current affairs

The pillage of our history - the 300

5th April 2007 By maria

An article that was written about and against the movie of Zack Snyder "300".

The great essayist and philosopher George Steiner once said that: «Greek myths encode certain primary biological and social confrontations and self-perceptions in the history of man, they endure as an animate legacy in collective remembrance and recognition. We come home to them as to our psychic roots». He also points out that: «Greek mythology has become a constant centre or pivot of reference for all subsequent poetic invention and philosophic allegory».

Thus, the Greek myth through the centuries became an ecumenical possession and this was an intellectual offer that returned back to itself. However, is it possible for our historical Battles to become ecumenical too?

I saw the movie "300" and I was horrified. It's a movie that pillages our History. It pillages the meaning of "sacred" which lies in the memory of our country. This movie twists and distorts the collective consciousness of the race which formed our nation. It represents the priests as monstrous beings licking disrespectfully the witch (High Priestess). Queen Gorgo, the wife of Leonidas king of Sparta is depicted to give freely her body the very same night that Leonidas decided to die in Thermopyles. (Spartan women indeed had the freedom to decide about their sexual partners, but they never give themselves for money. They were very proud women). In the movie, Leonidas is depicted as leaving with the 300 men, without the approval of the Senate, the" Appella", an unacceptable fact for the rules of Sparta. (The truth is that because of the Karneans, they delayed in sending the army). Then, all armies of several cities that were fighting under the orders of king Leonidas never abandoned their positions on their own free will. It was under the orders of Leonidas that they left "so that they would save themselves". And this is how Leonidas finally stayed only with the 700 Thespians. And more, and countless others, that falsify and abuse all aspects of history. There were only some digital impressions, such as the cloud of Persian arrows or the artificial leaps of Leonidas on some rocks in a place that didn't resemble Greece at all. Impressions.

We live in an age of impressions, ignoring the essence.

And I ask: will there be no formal protest? Since when have the Histories of people become stray. It's been decades now that this has been happening. It was the movie "Troy", another movie about Alexander the Great, with his femininity dominating the entire script. Now with the 300 (fortunately here unlucky Xerxes is the only feminine icon - but we ought to say that the Achaemenid Empire was one with a great culture worthy of respect. It was those monstrous beings that constituted Xerxes's army, the ridicule of history). But, surely, we are living in such a dangerous, explosive present that obviously there is no time for those with the authority to do anything about it. There was never time to deal with the essentials. But let's keep in mind that History sometimes can prove vengeful too, as the great Aeschylus' once said: «For the land itself is their ally» Which means that the land is alive and the History of people is alive in the sense of collective memory.

And I humbly ask the question: Is there no "legal" barrier to this onslaught of neo-barbarians? In a short time, they will probably defile the true history of the battles of Souli and Messolonghi. Who will stop them? In order to make a movie based on a novel they ask for permission, they sign some guarantees of respect. How do they "acquire" the History of people? Did they sign guarantees for the legendary "comic"? And why should the citizen of this land suffer the mental distress of the ridicule every single time?

Eleutherotypia, 5 April 2007

Link to the original

Filed Under: Current affairs, μαρτυρία

Answer to Ismail Kadare about the church of Hagia Sophia

18th June 1995 By maria

The recent anniversary of the fall of Constantinople is bitter, and the thought takes me back to what hurt me. And I say, now I can answer to Ismail Kadare, now is the time. For months now I am bothered by the text he wrote in the magazine "Nouvel Observateur" (now L'Obs) when, last year, the magazine gave to a large number of writers the same subject: "April 29, Good Friday", because that was the birthday of the magazine and every writer could freely write whatever he wanted.

Coincidentally, April 29th was Good Friday in the year 1453, the last Good Friday that the psalm "Today is hanging ..." was chanted in Hagia Sophia, the still glorious even tearful, with emperor Constantine Palaiologos wearing the mournful Divitisio as the day demanded and the people chanting with the priest the Akathist, while the besieger Turks ruthlessly bombed the City with their seven enormous canons and the huge Bombard of Orban.
I am not at all certain that it was a "coincidence" and the fact that: Albanian writer Ismail Kadare chose Hagia Sophia for his subject.

He writes in his text that on that day, Good Friday 1994, he was allegedly writing a text for "Drita" magazine entitled "The Church of Hagia Sophia". Among other things, he writes: "This text is entitled 'The Church of Hagia Sophia' and refers to the conversion of this famous building into a mosque". "It seems to me" - he continues - "a global concern of our time: The world's two largest religions housed in the same building."

And after talking about how this could be done, he goes on: "But this time I'm right. I think in Tirana at least four institutions will be working to discover the symbolism of this story: the Albanian Orthodox Archbishopric, the Directorate of Muslim Faith, and the two ambassadors, of Greece and Turkey, countries to which this renowned Basilica is associated with".

Certainly, the official response to this article by Ismail Kadare, if there was one, it would not be given by me, but by some responsible agency of our country. But in a literary context, and in replying to Mr. Kadare as a writer-to-writer, I would like to tell him not to underestimate our sensitivity. He, as a writer, has the freedom of speech to say what he wants. But I too, with the same right to freedom of speech, reply to him that his speech is profane, impolite and disrespectful. And that he can not touch symbols so great and so sacred to a people, symbols that were sanctified by sacrifice. The fact that Hagia Sophia is silent and dark and lives in the night of her legend for five hundred years, with her chandeliers shaking and her mosaics weeping in the dark, is another matter. It belongs to the facts of History. But to speak literally about the church's fate today, that is sacrilegious. And if such a time ever comes, then the issue will not be with the Albanian archbishop and the Greek or Turkish ambassador, but, I believe, with the Christians throughout the world, and above all the Western, which will, at a minimum, soothe the historical shame, for abandoning Paleologos when he was left alone and helpless in his ultimate agony.

These are things that, no matter how time may cover them, remain unchanged. Because historical memory is not the books we were given to read. It is this mystical sanctuary that the soul carries from its wandering through time. In the solitude of time, which wrapped Hagia Sophia and raised it as a Symbol, transformed its marbles and gold into a sparkling soul throughout the centuries.

Published in Kathimarini newspaper and the Nea Hestia magazine

Filed Under: Current affairs, μαρτυρία, Thoughts

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