{"id":895,"date":"2019-07-15T00:12:58","date_gmt":"2019-07-15T00:12:58","guid":{"rendered":"https:\/\/marialampadaridoupothou.gr\/?page_id=895"},"modified":"2023-01-22T16:12:06","modified_gmt":"2023-01-22T16:12:06","slug":"%ce%b4%ce%b7%ce%bc%ce%bf%cf%83%ce%b9%ce%b5%cf%8d%cf%83%ce%b5%ce%b9%cf%82","status":"publish","type":"page","link":"https:\/\/marialampadaridoupothou.gr\/en\/%ce%b4%ce%b7%ce%bc%ce%bf%cf%83%ce%b9%ce%b5%cf%8d%cf%83%ce%b5%ce%b9%cf%82\/","title":{"rendered":"Articles, interviews"},"content":{"rendered":"
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\"\"<\/a>Whenever I wrote a text for a book that I considered important or it had deeply moved me, I hesitated to say the word \"criticism\" when I gave it to a newspaper or literary magazine. I always believed that I had no right to \"judge\" someone else's creation, that what I was writing was just a personal opinion, meaning, it was coming out of my own education or perception. Anyway, I feel grateful for what I wrote, because you always come out winning from diving in a major work, searching for the anxiety that was not yours but perhaps parallel to yours. Or, still, seeking the knowledge that takes you beyond. I also feel grateful for what they wrote about me, as they wrote it.<\/p>\n

Because I feel the same for those who wrote about my books. They are testaments of their own perception, their own insight or their ability to penetrate. And I say this not out of lack of respect or thanks, but out of a full sense that it may be so. That it is a personal approach by them beyond the meaning of the word 'criticism'. Besides this is also confirmed by the world history of literature. We saw books that were not praised or even ignored by critics triumph one day. And we saw others that were glorified, lost and forgotten. Without arguing that, an enlightened and insightful \u201ccritic\u201d can reveal things that even the author had not pointed out. Or, even to help the author with his astute observations. I just think the word \"criticism\" is not exactly accurate.<\/p>\n

Personally, I know why I wrote so many texts about books whose authors I never knew, nor expected anything in return. I remember, for twenty days, and maybe more, I was working on Jaqueline De Romilly's book \"Thucydides and Athenian Imperialism\". And as many about Hermann Diels and Walther Kranz's book \"The Presocratic writings\". Or, even, for the wonderful books \"The Ritual Lament\" by Margaret Alexiou and George Steiner's \"Antigones\". To this day, I know that these texts, and many like them, I wrote for me. To help my thinking, my own perception. Or, even, my soul. Today I am grateful for the texts I wrote. Some of them had overwhelmed me.<\/p>\n

I also feel grateful to those who wrote about my books. Most of these texts are illuminated, written with love and deep insight, analytical thought, and helped me as a writer and as a human being. But no criticism can make a book better, or the opposite, than it is. Because it is always a subjective testament, in terms of the intellectual capacity of the one who writes it.<\/p>\n

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Articles<\/h2>\n

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\"Fragments of the Presocratics\" by Hermann Diels \u2013 Walther Kranz<\/a>\u00a0 \u25a0\u00a0 George Steiner, \"Antigones, How the Antigone Legend Has Endured in Western Literature, Art, and Thought\"<\/a>\u00a0 \u25a0\u00a0 \"Theatre, first volume, Victory, Red sky, To you who listen to me\" by Loula Anagnostaki<\/a>\u00a0 \u25a0\u00a0 \"Ahead to the war cry\" poetry collection by Hector Kaknavatos<\/a>\u00a0 \u25a0 \u00a0\"Woman yesterday and today, Equality, but also dissimilarity by Roula Kaklamanaki<\/a>\u00a0 \u25a0\u00a0 \"Heaven's roads\" and \"Transitions\" two poetry collections by Takis Varvitsiotis<\/a>\u00a0 \u25a0\u00a0 \"Ephemeria\" by Christos Malevitsis\u00a0\u00a0<\/a> \u25a0\u00a0 How fated was the fall of Constantinople\u00a0\u00a0<\/a>\u25a0\u00a0 A poet gone too soon\u00a0\u00a0<\/a>\u25a0\u00a0 History of the Byzantine civilization by Sture Linn\u00e9r\u00a0\u00a0<\/a>\u25a0\u00a0 About writing theatrical plays, by Zoe Samara\u00a0\u00a0<\/a>\u25a0\u00a0\u00a0Five Great Odes by Paul Claudel\u00a0\u00a0<\/a>\u25a0\u00a0\u00a0Chaotics I, poetry by Hector Kaknavatos<\/a>\u00a0 \u25a0\u00a0 \"The plainsmen, Night adventure\" by Christos Malevitsis<\/a>\u00a0 \u25a0\u00a0 The decay of memory, poetry by Stelios Loukas<\/a>\u00a0 \u25a0\u00a0 Night of Amber, a novel by Sylvie Germain<\/a>\u00a0 \u25a0\u00a0 Liquid time, a novel by Helen Gkika<\/a>\u00a0 \u25a0\u00a0 The dust of the world , novel by Jacques Lacarri\u00e8re<\/a>\u00a0 \u25a0\u00a0 Starsetting, poetry by Kostas Choreanthis<\/a>\u00a0 \u25a0\u00a0 \u039b\u03ae\u03bc\u03bd\u03bf\u03c2, \u0399\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03ae \u03ba\u03b1\u03b9 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03ba\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac, \u03c4\u03bf\u03c5 \u0393\u03b9\u03ce\u03c1\u03b3\u03bf\u03c5 \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03ad\u03bb\u03bb\u03b7, \u03a0\u03b1\u03bb\u03af\u03bc\u03c8\u03b7\u03c3\u03c4\u03bf<\/a>\u00a0 \u25a0\u00a0 \u0391\u03bc\u03cd\u03b8\u03b7\u03c4\u03bf\u03c2 \u03ba\u03ae\u03c0\u03bf\u03c2, \u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03a3\u03c4\u03ad\u03bb\u03b9\u03bf\u03c5 \u039b\u03bf\u03c5\u03ba\u03ac\u00a0 \u25a0\u00a0\u00a0\u00a0<\/a><\/strong><\/em>\u0395\u03bd\u03b1\u03c2 \u03c0\u03b5\u03c1\u03b9\u03c0\u03bb\u03b1\u03bd\u03cc\u03bc\u03b5\u03bd\u03bf\u03c2 \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae\u03c2 \u03c4\u03bf\u03c5 13\u03bf\u03c5 \u03b1\u03b9\u03ce\u03bd\u03b1, \u03b3\u03b9\u03b1 Laccariere, \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/a>\u25a0\u00a0 \u00a0<\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u0395\u03bb \u0393\u03ba\u03af\u03ba\u03b1, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc \u00a0<\/a> \u25a0\u00a0\u00a0<\/em><\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03b3\u03b9\u03b1 \u0392\u03b1\u03c1\u03b2\u03b9\u03c4\u03c3\u03b9\u03ce\u03c4\u03b7 \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 \u25a0\u00a0\u00a0<\/a><\/em><\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u03ac\u03c0\u03b1\u03bd\u03c4\u03b1 \u039c\u03b1\u03bb\u03b5\u03b2\u03af\u03c4\u03c3\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/em><\/strong><\/em><\/a>\u25a0\u00a0\u00a0<\/em><\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u039b\u03bf\u03c5\u03ba\u03ac, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc \u00a0<\/a>\u25a0\u00a0\u00a0<\/em><\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u039c\u03b7\u03bb\u03b9\u03ce\u03c1\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/em><\/strong><\/em><\/a>\u25a0\u00a0\u00a0<\/em><\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u0393\u03b5\u03c9\u03c1\u03b3\u03bf\u03cd\u03c3\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0<\/a> \u25a0\u00a0 \u03a3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae \u03b3\u03b9\u03b1 \u03c0\u03bf\u03af\u03b7\u03c3\u03b7 \u0392\u03b1\u03c1\u03b2\u03b9\u03c4\u03c3\u03b9\u03ce\u03c4\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0\u00a0<\/a><\/em><\/strong><\/em><\/p>\n

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\"\"<\/a>
\"The Ritual Lament in Greek Tradition\" by Margaret Alexiou<\/a>\u00a0 \u25a0\u00a0 The demystification of man - through Abraham's sacrifice<\/a>\u00a0 \u25a0\u00a0\u00a0 School of second chance: Korydallos prison<\/a>\u00a0 \u25a0\u00a0 The pillage of our history - the 300<\/a>\u00a0 \u25a0 \u00a0Samuel Beckett \u2013 A prophet of our century\u00a0\u00a0<\/a> \u25a0\u00a0\u00a0My acquaintance with Samuel Beckett - a genious that shook our century\u00a0\u00a0<\/a>\u25a0\u00a0 Surrealism in the poetry of Hector Kaknavatos<\/a>\u00a0\u25a0\u00a0 Jacques Lacarri\u00e8re \u2013 Praiser of asceticism\u00a0\u00a0<\/a>\u25a0\u00a0 The angels await with candles and funerary psalms<\/a>\u00a0 \u25a0\u00a0 The City has fallen - The last agony<\/a>\u00a0 \u25a0\u00a0 The pillage of our history - the 300<\/a>\u00a0 \u25a0\u00a0 A short history of Byzantium by John Julius Norwich<\/a>\u00a0 \u25a0\u00a0 Nikitaras, a model of gallantry and virtue by Dimitris Stamelos<\/a>\u00a0 \u25a0\u00a0 Dolls don't cry, a novel by Helen Gkika<\/a>\u00a0 \u25a0\u00a0 The prophetic work of Samuel Beckett at the dawn of the new millennium\u00a0\u00a0<\/a><\/strong><\/em>\u25a0\u00a0 \u00a0<\/strong><\/em>\"Looking for Maria\", a novel by Eleni Gkika\u00a0 \u25a0<\/em>\u00a0\u00a0<\/a>Mystic Passage, interview with Dimitris Gkionis, \"When the voice chockes in the volume of silence\" <\/em><\/a><\/strong><\/em>\u25a0\u00a0 \u0397 \u039b\u03b7\u0301\u03bc\u03bd\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03bc\u03b1\u03c1\u03b9\u0301\u03b1\u03c2, \u03bc\u03b9\u03b1 \u03b4\u03b9\u03b1\u03c6\u03b1\u0301\u03bd\u03b5\u03b9\u03b1 \u03c5\u03b4\u03b1\u0301\u03c4\u03b9\u03bd\u03b7\u00a0 <\/a>\u25a0\u00a0 \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03b5\u03c5\u03b8\u03b5\u03c1\u03bf\u03c4\u03c5\u03c0\u03af\u03b1 \u03b3\u03b9\u03b1 \u0393\u03ba\u03af\u03ba\u03b1, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/a>\u25a0\u00a0\u00a0<\/em><\/strong><\/em>\u0391\u03bd\u03b1\u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7 \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae\u03c2 \u03bc\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03bf\u03bd \u039a\u03b1\u03ba\u03bd\u03b1\u03b2\u03ac\u03c4\u03bf \u03c3\u03c4\u03b7\u03bd \u039a\u03b1\u03b8\u03b7\u03bc\u03b5\u03c1\u03b9\u03bd\u03ae, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/em><\/strong><\/em><\/a>\u25a0 \u0397 \u03c6\u03cd\u03c3\u03b7, \u03bf \u03bc\u03cd\u03b8\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b4\u03bf\u03be\u03b1\u03c3\u03af\u03b5\u03c2 \u039b\u03b7\u03bc\u03bd\u03af\u03b1 \u0393\u03b7<\/a><\/em><\/strong><\/em>\u00a0 \u25a0\u00a0 \u201c\u03a4\u03bf \u039e\u03cd\u03bb\u03b9\u03bd\u03bf \u03a4\u03b5\u03af\u03c7\u03bf\u03c2\u201d, \u03c3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03bf\u03bd \u0392\u03b1\u03c3\u03af\u03bb\u03b7 \u03a1\u03bf\u03cd\u03b2\u03b1\u03bb\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc<\/a><\/em><\/strong><\/em><\/p>\n

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Home, the archetypal symbol of the soul<\/a>\u00a0 \u25a0\u00a0 Don't leave on the waters\u00a0\u00a0<\/a>\u25a0\u00a0 We are Gods' defeated, a new years eve story\u00a0\u00a0<\/a>\u25a0\u00a0 Miracles get angry when you don't believe in them<\/a>\u00a0 \u25a0\u00a0\u00a0The destrucion of a place<\/a>\u00a0\u00a0\u25a0\u00a0 The ancient hubris in our days<\/a>\u00a0 \u25a0\u00a0\u00a0What do we get from the riddle of life? Victory or defeat?<\/a>\u00a0\u00a0\u25a0\u00a0\u00a0Decay\u00a0\u00a0<\/a>\u25a0\u00a0 The crisis in our life<\/a>\u00a0\u00a0\u25a0\u00a0 Les Mis\u00e9rables by Victor Hugo in our days<\/a>\u00a0 \u25a0\u00a0 The Loneliness<\/a>\u00a0\u00a0\u25a0\u00a0\u00a0The new millennium<\/a>\u00a0 \u25a0\u00a0 Christmas Days<\/a>\u00a0\u00a0\u25a0\u00a0 The violence of times..<\/a>\u25a0\u00a0 Oh, these frightened children's eyes<\/a>\u00a0\u00a0\u25a0\u00a0\u00a017 writers for the Olympic Games, 2004<\/a>\u00a0\u00a0\u25a0\u00a0\u00a0After the end of the Olympic Games<\/a><\/strong><\/em>\u00a0 \u25a0\u00a0 <\/strong><\/em>A desolate sense that hurts<\/a><\/strong><\/em>\u00a0 \u25a0\u00a0 \u201c\u03a7\u03ce\u03c1\u03bf\u03c2 \u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03b7\u03c1\u03af\u03bf\u03c5 \u03c4\u03bf\u03c5 \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03b1 \u03ba\u03b1\u03b9 \u03b5\u03bc\u03bc\u03bf\u03bd\u03ad\u03c2 \u03b3\u03c1\u03b1\u03c6\u03ae\u03c2, \u03b5\u03c0\u03af\u03c3\u03b7\u03c2: \u03cc\u03c4\u03b1\u03bd \u03ad\u03c1\u03c7\u03b5\u03c4\u03b1\u03b9 \u03b7 \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1\u201d\u00a0 \u25a0\u00a0\u00a0<\/a><\/strong><\/em>\u201c\u0398\u03b1 \u03b2\u03c1\u03b5\u03af\u03c4\u03b5 \u03c4\u03b1 \u03bf\u03c3\u03c4\u03ac \u03bc\u03bf\u03c5 \u03c5\u03c0\u03cc \u03b2\u03c1\u03bf\u03c7\u03ae\u03bd\u2026\u201d \u03bc\u03b1\u03c1\u03c4\u03c5\u03c1\u03af\u03b1, \u03a7\u03c1\u03b9\u03c3\u03c4\u03bf\u03cd\u03b3\u03b5\u03bd\u03bd\u03b1 2003\u00a0 <\/a>\u25a0\u00a0<\/a><\/em><\/strong><\/em>\u03a0\u03bf\u03af\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b1\u03b3\u03c9\u03bd\u03af\u03b1 \u03c0\u03b1\u03c1\u03b1\u03bc\u03bf\u03bd\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03c7\u03b9\u03bb\u03b9\u03b5\u03c4\u03af\u03b1\u03c2, \u03c3\u03b1\u03bd \u03bc\u03bf\u03bd\u03cc\u03bb\u03bf\u03b3\u03bf\u03c2 <\/a><\/strong><\/em>\u25a0 \u039c\u03b9\u03b1 \u03c3\u03c7\u03b5\u0301\u03c3\u03b7 \u03b3\u03bf\u03b7\u03c4\u03b5\u03b9\u0301\u03b1\u03c2 \u03bc\u03b5 \u03c4\u03b7 \u03c6\u03b8\u03bf\u03c1\u03b1\u0301\u00a0 \u25a0 <\/a>\u03a4\u03bf \u039e\u03cd\u03bb\u03b9\u03bd\u03bf \u03a4\u03b5\u03af\u03c7\u03bf\u03c2, \u03c3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03ad\u03bd\u03b7 \u0393\u03ba\u03af\u03ba\u03b1, \u00ab\u039c\u03cc\u03bd\u03bf \u03b7 \u03c3\u03c5\u03bd\u03b5\u03af\u03b4\u03b7\u03c3\u03b7 \u03b4\u03b9\u03b4\u03ac\u03c3\u03ba\u03b5\u03b9, \u03cc\u03c7\u03b9 \u03b7 \u03b9\u03c3\u03c4\u03bf\u03c1\u03af\u03b1\u00bb\u00a0 \u25a0\u00a0<\/a> <\/em><\/strong>\u0398\u03b1 \u03b2\u03c1\u03b5\u03b9\u03c4\u03b5 \u03c4\u03b1 \u03bf\u03c3\u03c4\u03ac \u03bc\u03bf\u03c5 \u03c5\u03c0\u03cc \u03b2\u03c1\u03bf\u03c7\u03ae\u03bd<\/a><\/strong><\/em><\/p>\n<\/div>\n<\/div>\n

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\"Thucydides and Athenian Imperialism\" by Jacqueline De Romilly<\/a>\u00a0 \u25a0 \u00a0The being and the world - The lesser known side of Iris Murdoch through her philosophical thinking<\/a>\u00a0 \u25a0\u00a0 Traditional songs as content of Greek consciousness<\/a>\u00a0 \u25a0\u00a0 The evergreen tree, lectures and articles about Greek culture, by George Thomson\u00a0\u00a0<\/a>\u25a0\u00a0\u00a0Medieval triptych by Tasos Athanasiadis<\/a> \u00a0\u25a0\u00a0\u00a0\u039c\u03ad\u03c1\u03b5\u03c2 \u039f\u03c1\u03b3\u03ae\u03c2, \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03cc\u03c1\u03b7\u03bc\u03b1 \u03c4\u03b7\u03c2 Sylvie Germain\u00a0 \u25a0\u00a0 I<\/a>nterview in \u0392\u0397\u039c\u0391gazino with Eri Vardaki, The Wooden Wall in the European Union, 2020\u00a0 \u25a0\u00a0 \u00a0<\/a>\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03b7\u03bd \u03b5\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03a4\u03bf \u0392\u0397\u039c\u0391 \u03c4\u03b7\u03c2 \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae\u03c2<\/a><\/em><\/strong><\/em>\u25a0\u00a0 \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03b7\u0301 \u03b2\u03b9\u03b2\u03bb\u03b9\u0301\u03bf\u03c5 \u03c4\u03b7\u03c2 \u0391\u0301\u03b9\u03c1\u03b9\u03c2 \u039c\u03b1\u0301\u03c1\u03bd\u03c4\u03bf\u03c7 \u03a5\u03c0\u03b1\u03c1\u03be\u03b9\u03c3\u03c4\u03b5\u0301\u03c2 \u03ba\u03b1\u03b9 \u039c\u03c5\u03c3\u03c4\u03b9\u03ba\u03b9\u03c3\u03c4\u03b5\u0301\u03c2, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0<\/a><\/strong><\/em>\u25a0 \u03a4\u03bf \u03ba\u03b1\u03b8’\u03b7\u03bc\u03b1\u0301\u03c2 \u0392\u03c5\u03b6\u03ac\u03bd\u03c4\u03b9\u03bf, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0<\/a><\/strong><\/em>\u25a0 \u0394\u03b7\u03bc\u03bf\u03c4\u03b9\u03ba\u03cc \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9 \u03c9\u03c2 \u03c0\u03b5\u03c1\u03b9\u03b5\u03c7\u03cc\u03bc\u03b5\u03bd\u03bf \u03c4\u03b7\u03c2 \u03c3\u03c5\u03bd\u03b5\u03b9\u03b4\u03ae\u03c3\u03b5\u03c9\u03c2 \u03c4\u03bf\u03c5 \u03bd\u03ad\u03bf\u03c5 \u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03c3\u03bc\u03bf\u03cd, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc <\/a><\/strong><\/em>\u25a0 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03c3\u03c4\u03b5\u0301\u03c2, \u03a4\u03bf \u03b1\u03b5\u03b9\u03b8\u03b1\u03bb\u03b5\u0301\u03c2 \u03b4\u03b5\u0301\u03bd\u03c4\u03c1\u03bf, \u03c4\u03bf\u03c5 G. Thomson\u00a0 \u25a0\u00a0 <\/a>\u039f \u0386\u03b3\u03b3\u03b5\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03a3\u03c4\u03ac\u03c7\u03c4\u03b7\u03c2, \u03c9\u03c2 \u03b1\u03bd\u03b1\u03c3\u03c4\u03b1\u03c3\u03b9\u03bc\u03bf \u03c0\u03b1\u03c3\u03c7\u03b1\u03bb\u03b9\u03bd\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c4\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf \u0392\u03ae\u03bc\u03b1, \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae \u03c4\u03c9\u03bd \u0392\u03b1\u0390\u03c9\u03bd, 2021, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 \u25a0\u00a0 <\/a>\u0395\u03c0\u03b5\u03c4\u03b5\u03b9\u03b1\u03ba\u03cc \u03c4\u03b7\u03c2 \u0391\u03bb\u03ce\u03c3\u03b5\u03c9\u03c2, \u03c3\u03c4\u03bf \u0392\u0397\u039c\u0391 \u03c4\u03b7\u03c2 \u039a\u03a5\u03a1\u0399\u0391\u039a\u0397\u03a3, \u039c\u03ac\u03b7\u03c2 2021, \u03a0\u03ae\u03c1\u03b1\u03bd \u03c4\u03b7\u03bd \u03a0\u03cc\u03bb\u03b7, \u03c0\u03ae\u03c1\u03b1\u03bd \u03c4\u03b7\u03bd <\/a><\/strong><\/em>\u25a0 \u03a4\u03bf \u03b1\u03bd\u03b5\u03bb\u03ad\u03b7\u03c4\u03bf \u03c0\u03b1\u03c1\u03b1\u03bc\u03cd\u03b8\u03b9 \u03c4\u03b7\u03c2 \u0396\u03c9\u03ae\u03c2<\/strong><\/em><\/a> \u25a0 \u0393\u03b9\u03b1 \u03c4\u03b1 \u03b5\u03ba\u03b1\u03c4\u03cc \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03c4\u03b7\u03c2 \u039c\u03b9\u03ba\u03c1\u03b1\u03c3\u03b9\u03b1\u03c4\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03c1\u03bf\u03c6\u03ae\u03c2 <\/a><\/strong><\/em>\u25a0 \u03a3\u03ac\u03bc\u03b9\u03bf\u03c5\u03b5\u03bb \u039c\u03c0\u03ad\u03ba\u03b5\u03c4: \u03a4\u03c1\u03b9\u03ac\u03bd\u03c4\u03b1 \u03c4\u03c1\u03af\u03b1 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03b8\u03ac\u03bd\u03b1\u03c4\u03cc \u03c4\u03bf\u03c5<\/a><\/strong><\/em><\/p>\n<\/div>\n

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\u03a4\u03bf \u0388\u03c0\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0386\u03bb\u03c9\u03c3\u03b7\u03c2, 569 \u03c7\u03c1\u03cc\u03bd\u03bf\u03c5\u03c2 \u03bc\u03b5\u03c4\u03ac<\/a> \u00a0\u25a0<\/em>\u00a0<\/strong><\/em> \u039c\u03b9\u03b1 \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03c0\u03ac\u03bd\u03c9 \u03c3\u03c4\u03b1 \u03bd\u03b5\u03c1\u03ac <\/strong><\/em><\/a><\/p>\n

Articles in various publications<\/h2>\n

Literature, why and for what<\/a>\u00a0 \u25a0\u00a0 Samuel Beckett, 25 years after his death<\/a>\u00a0 \u25a0\u00a0 Myrina - a journey to memory<\/a>\u00a0 \u25a0\u00a0 \"Moments in time\" poetry by Apostolos Athanasakis<\/a>\u00a0\u00a0\u25a0\u00a0\u00a0How the Theatre of the Absurd was born<\/a> \u00a0\u25a0\u00a0 \"Our tongue of marble\" by Apostolos Athanasakis<\/a>\u00a0\u00a0\u25a0\u00a0 Therefore a sycamore, poetry by Pantelis Mpoukalas<\/a>\u00a0\u00a0\u25a0\u00a0 Game as an expression of life, by Unesco\u00a0\u00a0<\/a>\u00a0<\/a>\u25a0\u00a0 \"Journal of an Unseen April\" by Odysseus Elytis<\/a>\u03cd\u03c4\u03b7<\/a>\u00a0 \u25a0\u00a0 An eternity of silence, for the poetic collection \"Maria\" by Zoe Samara<\/a>\u00a0 \u25a0\u00a0 The writer of the small country<\/a>\u00a0 \u25a0\u00a0 Answer to Ismail Kadare about the church of Hagia Sophia<\/a>\u00a0 \u25a0\u00a0 The last christmas of the millennium<\/a>\u00a0 \u25a0\u00a0 A watery transparency<\/a>\u00a0 \u25a0\u00a0 Odessa, forgotten home by Maria Karavia<\/a>\u00a0 \u25a0\u00a0 Poetry 2 volumes by Manolis Pratikakis<\/a>\u00a0 \u25a0\u00a0 History of Ancient Athens by Sarantos Kargakos<\/a>\u00a0 \u25a0\u00a0 The prophetic work of Samuel Beckett at the dawn of the new millennium<\/a><\/strong><\/em>\u00a0 \u25a0\u00a0 <\/strong><\/em>Modern Drama: The word of silence, by Afrodite Sivetidou<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0 <\/strong>\"A book a journey\", television show of Stelios Loukas<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>Eug\u00e8ne Ionesco and the Theatre of the Absurd<\/em><\/a><\/strong>\u00a0 \u25a0\u00a0 <\/strong><\/em>Outside the gates<\/a> \u00a0<\/strong><\/em>\u25a0 Behind the window<\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0Samuel Beckett, 24 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u03b8\u03ac\u03bd\u03b1\u03c4\u03bf \u03c4\u03bf\u03c5\u00a0 \u25a0\u00a0\u00a0<\/a><\/strong><\/em>\u03a4\u03bf \u03b9\u03b5\u03c1\u03cc \u03c9\u03c2 \u03b2\u03af\u03c9\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03b7\u03bc\u03b5\u03af\u03bf \u03b1\u03bd\u03b1\u03c6\u03bf\u03c1\u03ac\u03c2 \u03c3\u03c4\u03bf \u03c3\u03bc\u03af\u03bb\u03b5\u03bc\u03b1 \u03c4\u03b7\u03c2 \u039b\u03ae\u03bc\u03bd\u03b9\u03b1\u03c2 \u03c4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2\u00a0 \u25a0\u00a0 <\/a>\u03a4he Angel of Ashes, interview with director George Hatzidakis\u00a0 <\/a> \u25a0<\/a>\u00a0\u00a0<\/a><\/strong><\/em>Waves of three seas, Swedish magazine, 1995, after the cruise\u00a0 <\/a> \u25a0\u00a0<\/a>\u00a0<\/strong><\/em>\u0394\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7 \u03c3\u03c4\u03bf \u03c0\u03b5\u03c1\u03b9\u03bf\u03b4\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u039f\u03c5\u03bd\u03ad\u03c3\u03ba\u03bf \u00a8\u03a4\u03bf \u03c6\u03c4\u03b9\u03b1\u03be\u03b1 \u03b3\u03b9\u03b1 \u03bd\u03b1 \u03c0\u03b1\u03af\u03b6\u03c9”, 1989, \u03c3\u03c4\u03bf \u03c0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1 “\u03a3\u03ce\u03c3\u03c4\u03b5 \u03c4\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac”\u00a0 <\/strong><\/em><\/a>\u25a0\u00a0<\/a>\u00a0 <\/strong><\/em>\u03a5\u03c8\u03b9\u03c0\u03cd\u03bb\u03b7, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03bf \u0394\u03b9\u03ac\u03c3\u03c4\u03b9\u03c7\u03bf \u201c\u0388\u03bd\u03b1 \u03ad\u03c1\u03b3\u03bf \u03bc\u03b5 \u03b4\u03bf\u03bc\u03ae \u03c4\u03c1\u03b1\u03b3\u03c9\u03b4\u03af\u03b1\u03c2\u201d \u25a0\u00a0 <\/a><\/strong><\/em>\u0391\u03bd\u03b1\u03c6\u03bf\u03c1\u03ac \u03c3\u03c4\u03bf \u03ad\u03c1\u03b3\u03bf \u03c4\u03bf\u03c5 \u0394\u03b9\u03bf\u03bc\u03ae\u03b4\u03b7 \u03a0\u03b5\u03c4\u03c3\u03ac\u03bb\u03b7 <\/a><\/strong><\/em>\u25a0\u00a0 <\/strong><\/em>\u03a4\u03bf \u03c3\u03c0\u03af\u03c4\u03b9 \u03bc\u03b1\u03c2 \u03ae\u03c4\u03b1\u03bd \u03b3\u03b5\u03bc\u03ac\u03c4\u03bf \u03c0\u03b1\u03c3\u03c7\u03b1\u03bb\u03b9\u03ad\u03c2\u00a0 <\/strong><\/em><\/a>\u25a0<\/a>\u00a0 The Angel of Ashes, review by Dimitris Tsiamalos, \"The history of the primal soul\"\u00a0\u00a0 <\/a>\u25a0<\/a>\u00a0 \u00a0<\/a><\/strong><\/em>\u03a4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b5\u03c2 \u03bc\u03ad\u03c1\u03b5\u03c2, \u0391\u03c0\u03bf\u03b3\u03b5\u03bc\u03b1\u03c4\u03b9\u03bd\u03ae, \u03a0\u03b1\u03c1\u03bd\u03b1\u03c3\u03ac\u03c2, \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc \u03b1’ \u03bc\u03b5\u03c1\u03bf\u03c2\u00a0 *\u00a0 <\/a><\/strong><\/em>\u03a4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03b5\u03c2 \u03bc\u03ad\u03c1\u03b5\u03c2, \u0391\u03c0\u03bf\u03b3\u03b5\u03c5\u03bc\u03b1\u03c4\u03b9\u03bd\u03ae, \u03a0\u03b1\u03c1\u03bd\u03b1\u03c3\u03ac\u03c2, \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc, \u03b2’ \u03bc\u03b5\u03c1\u03bf\u03c2\u00a0 <\/a>\u25a0<\/a>\u00a0\u00a0 <\/a>\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u039b\u03c5\u03bc\u03c0\u03b5\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd HuffingtonPost\u00a0 2021\u00a0 <\/a>\u25a0<\/a>\u00a0<\/a>\u00a0\u00a0<\/a><\/strong><\/em>\u03a4\u03bf \u03b8\u03b1\u03c5\u03bc\u03b1\u03c3\u03c4\u03cc \u03c4\u03b1\u03be\u03af\u03b4\u03b9 \u03c4\u03bf\u03c5 \u039d\u03b9\u03bb\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03b2\u03b4\u03cc\u03bc\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/a>\u25a0\u00a0 \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03b3\u03b9\u03b1 \u03a3\u03c4\u03b1\u03bc\u03ad\u03bb\u03bf \u03c3\u03c4\u03b7\u03bd \u0395\u03b2\u03b4\u03cc\u03bc\u03b7, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc\u00a0 <\/a>\u25a0\u00a0\u00a0<\/strong><\/em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c3\u03c4\u03bf\u03bd 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\u00a0<\/p>\n\n\n

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