{"id":6671,"date":"2020-07-10T12:55:51","date_gmt":"2020-07-10T12:55:51","guid":{"rendered":"https:\/\/marialampadaridoupothou.gr\/?page_id=6671"},"modified":"2020-07-10T12:56:27","modified_gmt":"2020-07-10T12:56:27","slug":"the-last-emperor-of-buzantium-or-the-city-has-been-taken-been-taken","status":"publish","type":"page","link":"https:\/\/marialampadaridoupothou.gr\/en\/the-last-emperor-of-buzantium-or-the-city-has-been-taken-been-taken\/","title":{"rendered":"The Last Emperor of Buzantium Or: &#8220;The City has been taken, been taken&#8221;"},"content":{"rendered":"<blockquote><p><em><strong>The last liturgy in the Hagia<\/strong><\/em><br \/>\n<em><strong>Sophia<\/strong><\/em><\/p><\/blockquote>\n<p><strong><em>Extracts from the novel<\/em><\/strong><\/p>\n<p><em><strong>Night falls over the Imperial City<\/strong><\/em><\/p>\n<p>Night is falling over the long-suffering Imperial City that is<br \/>\nabout to die. Night is falling on the God-protected City of<br \/>\nConstantine. Night is falling on the anguish of those about<br \/>\nto die. Behind the unending flow of tears, all things take on a<br \/>\ncrystalline appearance. I look at the bloodied horizon and shudder.<br \/>\nThe last dusk, I say to myself, and my glance turns insatiably toward it,<br \/>\nembraces the Thracian plain, and rushes down to the Sea of Marmara,<br \/>\nto the golden waters of the Bosporus, which carry the seafaring myths<br \/>\nof my race, and to the wounded Golden Horn.<br \/>\n\u201cTomorrow,\u201d I repeat, trembling, \u201ctomorrow&#8230;\u201d<br \/>\nThe sweetly-echoing semantra of the Hagia Sophia are<br \/>\nsounding, the glorious bells are tolling, and people are<br \/>\nhurrying from all parts of the Imperial City to take part in<br \/>\nthe great liturgy of supplication. They have put on their best clothes,<br \/>\nthey hold tapers in their hands and ancient icons, heirlooms, and they<br \/>\nrun now toward the Hagia Sophia. The Forum of Augustus and the<br \/>\nroyal Mese Hodos are filled all the way down to the half-ruined<br \/>\nHippodrome. Filled, too, is the huge peribolos of the Hagia Sophia,<br \/>\nwhich is lined with arcades, and whose nine gates open wide to receive<br \/>\nthe long-suffering populace that has borne the cross of its martyrdom<br \/>\nfor fifty-seven days.<br \/>\nI make my way into the crowd that is mourning and running about<br \/>\ndazed, to reach the Column of Constantine. That is where my Eleni<br \/>\nwill be waiting&#8230; there, and I am not mistaken. She is holding<br \/>\nConstantine tightly in her arms and looking around with anguish.<br \/>\n\u201cHere I am&#8230; I have come,\u201d and I take them both in my arms, \u201clet\u2019s go,<br \/>\nwe\u2019re late,\u201d she says uneasily and pulls me ahead, \u201cthe Emperor just<br \/>\npassed by&#8230;\u201d<br \/>\nGreeks and Italians. Soldiers and non-combatants. All of them,<br \/>\nunited, run toward the Hagia Sophia with tears in their eyes. Today,<br \/>\nyes, today the union of the Churches is taking place, I say to myself,<br \/>\nand I make the sign of the cross. Today, Orthodoxy accepts the<br \/>\nFilioque of Rome, because no one is interested in that any longer&#8230;.<br \/>\nand all those priests, who have obstinately refused to conduct a service<br \/>\nin the Hagia Sophia for five months now, all the fanatical antiunionists,<br \/>\nnow run in silence to pray in the same space with the others,<br \/>\nto celebrate the liturgy together. My Basileus sees these united hordes,<br \/>\nsees the triumph of a \u201cunion\u201d that has taken root deep in the soul and<br \/>\na smile lights up his eyes.<br \/>\nMy Eleni takes the stoa-covered uphill path that leads to the<br \/>\nwomen\u2019s section, and I run to the military retinue of the Emperor.<br \/>\nDemetrios pulls me close. \u201cWhere were you? Ioannis was looking for<br \/>\nyou&#8230;\u201d he said to me and I was puzzled, \u201cIoannis&#8230; but I saw him just a<br \/>\nshort time ago&#8230; what did he want? \u201cYou will be among those who lock<br \/>\nthe fortress gates&#8230; After the liturgy we are all to go to our posts, in the<br \/>\nperibolos of the Outer Wall, and the fortress gates will be locked<br \/>\nbehind us, you know that&#8230;\u201d<br \/>\nI shuddered. The hour is approaching, I thought, the final hour&#8230;<br \/>\n\u201cYes, I will see him,\u201d I answered, deep in thought, \u201cwho else will be<br \/>\nwith me?\u201d \u201cThe two of us and Manuelo.. we are to deliver the keys to<br \/>\nthe Emperor, those are our orders.\u201d<br \/>\nThose frightening words roused me, it seems. My soul immediately<br \/>\nstirred, seemed to stand upright, beyond the fear that eradicates. My<br \/>\nsoul stood up, and was enlarged. \u201cWe will prevail or we will all die&#8230;,\u201d<br \/>\nDemetrios went on. And I looked at him roughly, \u201cBy the faith, we will<br \/>\nprevail!\u201d<br \/>\nI pass through the large, royal gate, with the Emperor\u2019s retinue and<br \/>\nreflect that Justinian, too, passed through it, on December 24, 537,<br \/>\nwhen it was inaugurated in formal splendor. I close my eyes and try to<br \/>\nimagine that winter morning. Perhaps there is freezing rain and biting<br \/>\ncold, the streets are icy and the sun\u2019s rays pale. Foaming waves arrive,<br \/>\ngalloping, on the Bosporus, and bring prophecies and garlands of gods<br \/>\non their backs.<br \/>\nO Lord, my God, thou art very great&#8230;<br \/>\nI hear the voice of the priest. I am leaning against the green column<br \/>\nthat was brought from the temple of Artemis in Ephesus, and I try to<br \/>\nelicit, from the depths of the thousand years, that wintry morning, to<br \/>\nhear the glorious sound, then and now. Will the echoes meet in the<br \/>\nfullness of time&#8230; in the completion of the circle?<br \/>\nHe appointed the moon for seasons; the sun knoweth its going down.<br \/>\nMy mind is immobilized. The sun knoweth its going down&#8230; One day<br \/>\nor one millennium? What are the laws of longevity? What is their ratio<br \/>\nrelative to mortal time? And I? Where am I? What is my path? How<br \/>\ndid I reach the wintry morning of the consecration? Or perhaps it is<br \/>\nsuspended somewhere on the notches of time? I say to myself&#8230; Has<br \/>\nthe Hagia Sophia clothed herself in her grandeur tonight in order to<br \/>\ndie brilliant, clothed herself in the centuries of her grandeur, before<br \/>\nshe clothes herself in the frozen night&#8230;<br \/>\nI look around. I am blinded. She is brilliant. The wintry morning is<br \/>\ndull and gray, but hidden suns shine in the sanctuary of her altar and the<br \/>\nlighted votive lamps make the precious stones radiate their inner light.<\/p>\n<p>I know that I must return to the present, to this painful reality moist<br \/>\nwith the tears of thousands of men about to die, who are praying<br \/>\naround me in pious concentration. I know that if I raise my eyes I will<br \/>\nmeet my Eleni\u2019s eyes; surely she is watching me from the women\u2019s<br \/>\nsection. But, a moment longer, I say, one tiny moment to wander<br \/>\nthrough the desert of negated time&#8230; It is as if I am taking my leave of<br \/>\nthe Imperial City&#8230; Or as if I am trying through the power of my mind<br \/>\nto inscribe this final hour in the collective memory of the world, so that<br \/>\nit is never lost, never forgotten.<\/p>\n<p>I escape. I go further and think. I am a pure Byzantine. When on<br \/>\nSeptember 18, 324, Constantine the Great with his steel-clothed<br \/>\ntroops was defeating Licinius on the Asiatic shore of the<br \/>\nBosporus, I was there. It was then, when ancient Byzantium, which was<br \/>\ncolonized by Greeks, descendants of the Megarian Byzas and of the<br \/>\nfollowers of Antes, opened wide its gates to receive the victor. For a<br \/>\nthousand years before that, since 658 B.C., Byzantium had stood. And<br \/>\nnow Constantine, dazzled by its beauty, gave it his name and<br \/>\nproclaimed it his capital. Weary of the corruption of the West, he<br \/>\npreferred to make lovely Anatolia the bulwark of Christendom. And<br \/>\nwith a passion he established a New Rome. But I am a Byzantine.<br \/>\nBecause I am descended from those Greeks who came from Greece,<br \/>\nthe forerunners of civilization in this exquisite cradle.<\/p>\n<p>I press my hands to my temples. I feel faint. All these thoughts<br \/>\nhammer at my mind. A sudden need to trace my roots, my identity, I<br \/>\nam the Greek, I am the Byzantine, I am the Roman \u2013 the Greco-<br \/>\nRoman. I look up at my Eleni. Her gaze is upon me, anguished, as if<br \/>\nshe wants to take away the historic moment, to negate fate. But I am<br \/>\nelsewhere. I am still wandering through the negated cycles of time. I<br \/>\nwant to see my passage. My tracks.<\/p>\n<p>And here I am, on May 11, 330, at the inauguration of New Rome,<br \/>\nthis beautiful City of Constantine, which is still small, stretching from<br \/>\nthe Four Stoas, the ancient agora of Byzantium, to the magnificent<br \/>\nForum of Constantine. It was then that Constantine, raised on his tall<br \/>\nstele, pointed toward Anatolia, to the spot whence the conqueror<br \/>\nwould come one thousand years later.<\/p>\n<p>Ah, how the ancient prophecies came to pass, one by one, those<br \/>\nprophecies written on parchment rotting in moist linen-chests. And<br \/>\nlook, I am here again. I, the witness of the confirmation. I, the witness<br \/>\nof history. I, who am about to die. I, the innocent one.<br \/>\nour City dedicates to you, Theotokos&#8230;<\/p>\n<p>People and clergy are chanting reverently, but I escape<br \/>\nagain. I pass by the Bronze Room and proceed to the Gold<br \/>\nThrone Room. Golden birds perched on gold plane-tree leaves<br \/>\nembellish the Imperial throne. On its sides are two rows of preying<br \/>\ngolden vultures, and two lions lie on its base. There I am.<\/p>\n<p>Eavesdropping. I hear whispers and the imperceptible rustling of<br \/>\nImperial robes. I go into the atrium and see the famous fountain.<br \/>\nUpon it sits a huge eagle of finely wrought gold and green stones,<br \/>\nchoking the serpent in its claws. The same image is in the palace of the<br \/>\nPorphyrogenete, I reflect. There, too, the green emerald eagle is<br \/>\nslaying the black serpent. For a thousand years, it has been slaying the<br \/>\nserpent \u2013 until the serpent turned into a monster, gathered its venom<br \/>\ndrop by drop, and is now ready to spit it into the heart of the Imperial<br \/>\nCity. I look up and see the new wings of the Sacred palace: Boukoleon,<br \/>\nTrikonchos, Magnaura. All destroyed. Piles of rubble. Those are my<br \/>\nmarks, I say to myself. That is my journey through time.<\/p>\n<p>Tears are flowing from my eyes now. The wandering is over,<br \/>\nand I kneel next to Demetrios, who looks at me as if he<br \/>\nguesses. The Hagia Sophia is fragrant, like a soul that has<br \/>\nopened its paradises. The gold and silver and porphyry are fragrant<br \/>\nfrom the breaths of the rending. And all these fragrant fumes of<br \/>\nincense, of cinnamon, of souls dissolving into grief, make her cyclical<br \/>\nspace shudder and rise up high, shudder and waver, like a buffeted<br \/>\nsoul that senses its approaching death.<\/p>\n<p>It was at that moment, the moment of the great lamentation, that<br \/>\nher marble and gold were transformed into a shining soul, a soul both<br \/>\nbare and brilliant, in all its thousand year-old splendor. A weeping<br \/>\nsoul. A herald to the ages. It was that moment, that lament, which<br \/>\ntransformed her stone to tears. And she weeps now. I hear her lament<br \/>\nrolling down from the sweating metal mosaics, raising her above<br \/>\nearthly things, higher than the tallest symbol of the universe. Her silver<br \/>\nlamps shudder and weep, as if they know that this is the last time they<br \/>\nwill shine&#8230; The reverent visages of the saints weep, their metal weeps<br \/>\nfor the last miracle of faith. Her semantra weep, too, sounding slowly<br \/>\nand painfully. The priests weep and their hands tremble, hands that<br \/>\nhold sacred vessels for the last time. The courageous men around the<br \/>\nEmperor weep, the Venetians and Greeks and Catalans all dressed in<br \/>\nformal battle attire, purifying their souls for the battle of death. The<br \/>\npeople weep, the tormented people, who are about to die. There is a<br \/>\nheart-rending moan from one side to the other. And I weep.<\/p>\n<p>Lord, I cry unto thee\u2026 give ear unto my voice\u2026 Hearken unto the voice<br \/>\nof my cry\u2026 hearken\u2026 for unto thee will I pray&#8230;<br \/>\nThere is a fragrance, a fragrance of soul. Incense and<br \/>\ncinnamon and myrrh. Everyone is kneeling now. Warriors<br \/>\nand people. And a reverent voice arises. A voice of entreaty<br \/>\nfor the angelic hosts to return, for the Theotokos, the Hodigitria&#8230; But<br \/>\nnothing. Not a wing-beat is heard, nor a saintly sword. The Theotokos<br \/>\nweeps. Our Lady weeps tonight, because our destruction is written and<br \/>\nordained, ordained for a thousand years now, and nothing can change<br \/>\nthe fated course of events.<\/p>\n<p>The Emperor, too, weeps. As if he knows that this is the last time<br \/>\nthat he will see his people, the last time that the Hagia Sophia, the<br \/>\nsplendid monastery, will celebrate the liturgy, as if he knows that the<br \/>\ndawn will not find him among the living. But he weeps not for that; he<br \/>\nweeps for his people, and for his beloved City, The City of Cities, the<br \/>\nbrilliant Capital City.<\/p>\n<p>I make my way through the crowd to stand next to him. I want to see<br \/>\nhim again, to touch him. His eyes are turned to the heavens and he is<br \/>\npraying. What is he praying for? The death of a courageous man,<br \/>\nperhaps? The salvation of his City, or death?<br \/>\nI see the chief priest come forward with the silver chalice, and the<br \/>\nEmperor draws near. He is wearing white battle-dress and his body \u2013<br \/>\nthat proud body \u2013 is trembling, as if it is shaken by the wind or by a<br \/>\ndead man\u2019s soul. They say that the body is prophetic and perceives its<br \/>\ndeath. They say that the soul knows. But I say to myself that his body is<br \/>\nshaking from torment, from grief, all alone and struck by the lightning<br \/>\nbolt.<\/p>\n<p>He is holding the scepter in his hand, the scepter that a short while<br \/>\nago he had called \u201chumbled,\u201d and I look at it insatiably. How many<br \/>\nhands of Emperors have held it, I reflect, how much blood has been<br \/>\nspilled for its glory&#8230; and now it is useless, a symbol that is dying&#8230; and<br \/>\nin my eyes it is transformed bit by bit, becomes an unbearable cross on<br \/>\nhis shoulders, and the thin purple cloak he is wearing fills with blood<br \/>\nthat drips on the mosaics, blood drips from his crown, and I am taken<br \/>\naback&#8230; I open my eyes wide and the hallucination vanishes&#8230; A<br \/>\nhallucination or an image from the relentless day that is coming?<br \/>\nI see him now, advancing slowly; all eyes are upon him. Everyone<br \/>\nwatches him with bated breath. Because he wants to say something. He<br \/>\nprepares to say something. He looks around at the huge church, looks<br \/>\nfor an entire moment at the thousands of eyes turned toward him and<br \/>\nasks his people for forgiveness of his sins, as he asked his officers<br \/>\nearlier, he seeks remission of his sins from his God, to fulfill his duty as<br \/>\na Christian and as a king, and he leans toward the chalice to receive the<br \/>\nBody and Blood of Christ.<\/p>\n<p>It is a trembling moment in the crowded church. Only sobs can<br \/>\nbe heard. No one can contain his grief any longer. Their<br \/>\nBasileus is entrusting to them his City and his Scepter, to be<br \/>\nguarded. The moment, the great moment has arrived. Their Basileus is<br \/>\npreparing for death. For sacrifice. And now shudders pierce<br \/>\ntormented bodies, a profound shiver, their Basileus marches with<br \/>\ndetermination toward the fate ordained for him by the gods, that bitter<br \/>\nfate, which is theirs, as well. Mothers hug children to their bosoms.<br \/>\nWhite-haired old men embrace their brave young lads, who will fight<br \/>\nin the morning before the locked fortress gates.<\/p>\n<p>All his generals, officials, and ministers follow the Emperor. They<br \/>\nreceive communion one by one and stand beside him, and no eye is<br \/>\ndry, no heart, even the most hardened and bloodthirsty. Greeks and<br \/>\nVenetians and Ligurians, the head of the defenses, who are sworn to<br \/>\ndie at dawn for the honor of the Imperial City and the honor of<br \/>\nChristendom, all receive communion.<\/p>\n<p>I will take the cup of salvation&#8230; I will offer thee the sacrifice of praise&#8230;<br \/>\nReceive me today as a partaker of Your mystical feast&#8230;<br \/>\nAt the same moment, countless priests stand before the altar with<br \/>\nchalices in hand, for the people to receive communion. Embraces and<br \/>\ntears and forgiveness of sins&#8230;<br \/>\nIn one fleeting moment I see Cardinal Isidore and Leonardo of<br \/>\nChios with chalices in their hands. Greek and Latin priests together&#8230; a<br \/>\npartaker of Your mystical feast, today&#8230; The people approach with<br \/>\nreverence and order, as is fitting for those about to die.<br \/>\nPurified by tears, cleansed by suffering, they all receive communion.<br \/>\nThey ask for remission of sins. They are those about to die, those<br \/>\nwhom the dawn will not find among the living.<\/p>\n<p>I, too, go forward, to wait my turn. Out of the corner of my eye I see<br \/>\nIoannis standing tall beside the Emperor. He is wearing his black<br \/>\nclothing, and atop his gold encrusted sheath shines the silver handle of<br \/>\nhis sword. He is the giant who wept earlier, the demigod who ached<br \/>\nwith mortal pain, and he was not afraid to show his tears. Perhaps deep<br \/>\ninside, he felt proud of those tears. Because he was, above all, human.<br \/>\nHis gaze passes me over. He is already seeing tomorrow. And I ask<br \/>\nmyself, has that fearless and proud body intuited its death? I wonder.<br \/>\nWhat messages, what dark premonitions had his lion-hearted soul sent<br \/>\nhim?<br \/>\n&#8230;for I will not disclose the Mystery to Your enemies&#8230;<br \/>\nThe priest turns to give me communion and suddenly stops. He<br \/>\nlooks at me, shaken. The drop of blood is running down my forehead,<br \/>\nrunning down and tracing a path down my face, and the ochre mark is<br \/>\nglowing, I can feel it. I open my mouth to receive Holy Communion,<br \/>\nbut the priest is frightened now. I see an ashen fear in his eyes and his<br \/>\nhand remains suspended. With the back of my hand, I wipe away the<br \/>\nblood, which has now reached my lips, and I wait. This is the blood of<br \/>\nMystery, I say to him with my eyes and I shudder at the thought that<br \/>\nperhaps it is the same as that blood of Communion.<\/p>\n<p>God becomes flesh out of Your sacred blood&#8230;<br \/>\nThis is how Your purified creatures will be sacrificed&#8230; my God,<br \/>\nthus will they become worthy of the gift of martyrdom. The tears are<br \/>\nstreaming from my eyes now, tears that wash away the trickle of blood,<br \/>\nI am entirely cleansed I say to him with my eyes, and he brings the<br \/>\ncommunion to my lips. Receive me today&#8230;<\/p>\n<p>I try to immobilize time \u2013 an isolated moment \u2013 to take it with<br \/>\nme. It is the unique moment when man meets history, I reflect,<br \/>\nand I am the witness of this meeting.<br \/>\nI look at the Hagia Sophia. She is resplendent. Her silver lamps<br \/>\nsparkle, her gold mosaics are gleaming, her soul \u2013 the hidden sun<br \/>\n\u2013shines brightly. A chant of praise echoes now from one end to the<br \/>\nother. This last Christian liturgy could not end with mourning. And<br \/>\neveryone is standing, chanting, expressions of reverence on their faces.<br \/>\nThe immense church trembles; her columns tremble, the Holy Altar<br \/>\nof pure gold trembles, the Altar which tomorrow will be taken by the<br \/>\nfearless, lion-hearted priest aboard his brigantine, to disappear with it<br \/>\ninto the waters of the Propontis, lest it be defiled by the infidels.<br \/>\nThat reverential grandeur lifts us up and braces us, so that each of<br \/>\nus, alone, can confront his final anguish.<\/p>\n<p>The sound echoes in the gilded dome, rises to the open heavens, to<br \/>\nthe angelic hosts, to the Archangel, to the cherubim, who envelop their<br \/>\nswords in hosannas.<br \/>\nI watch the faces that are turned to the heavens and are no longer<br \/>\nweeping. They no longer weep because profound faith, entreaty, the<br \/>\nunassailable wall have turned tears into the sweetness of the angels.<br \/>\nI open my eyes wide to embrace all this scene of grandeur, to<br \/>\ntransfer it whole into the time that is to come, this vibrating moment of<br \/>\npraise, in which rulers and nobles, patricians and monks and warriors<br \/>\nand people, Venetians and Greeks and Catalans, join their voices<br \/>\ntogether with the same reverence and passion, with the same anguish,<br \/>\nto praise God who tomorrow will grant them victory. Because now<br \/>\nthey believe it. Their souls are full of hope, full of heavenly light. O, my<br \/>\nGod, I cry in the daytime, but thou hearest not\u2026 hearken unto my cry\u2026<br \/>\nNo, He did not hear. He was absent. Or perhaps He was lamenting<br \/>\nalone, in some invisible dark place.<\/p>\n<p>The Emperor is chanting along with his people. The beloved<br \/>\nBasileus. He chants for a few moments, choking with emotion.<br \/>\nHis eyes brim with tears again, and he turns to leave.<br \/>\nI have forgotten my Eleni, I have forgotten my little Constantine,<br \/>\nand I leave with him. Kyr Andronikos and Georgios are parting the<br \/>\ncrowd to open a path for him. The people see him leaving and move<br \/>\ntoward him. An immense, aching, human mass. They want to touch<br \/>\nhim, as if he were a saint, and they stretch out their hands, so that he is<br \/>\nunable to move. He stops and waits. He looks at that huge chanting<br \/>\ncrowd with its outstretched hands and slowly raises his scepter, as if he<br \/>\nseeks at that moment to take them all with him on the journey into<br \/>\nlegend. He wants to say to them that he is ready to sacrifice his life for<br \/>\nhis City, but he does not say a word. His tears are more eloquent. And<br \/>\nhe continues on his way. He departs, leaving behind him the crowd with<br \/>\nthe outstretched hands. His generals and all his officers, Venetians and<br \/>\nGreeks, follow him; the simple soldiers who came down from the walls<br \/>\nto take part in the great liturgy now return to their places, to their<br \/>\ndefensive posts, before the wall gates are locked behind them.<\/p>\n<p>The valiant man has departed, never again to see his people, never<br \/>\nagain to see the Hagia Sophia, because the dawn will not find him<br \/>\namong the living. He comes only at nights now, when darkness falls<br \/>\nand an otherworldly chanting is heard. He comes like a breeze and a<br \/>\nshiver. He enters through the secret gate and stands, covered with<br \/>\nblood, sword in hand, beside the two-headed eagle. Many say they<br \/>\nhave seen him. Every night, at the same hour, the lamps of the Hagia<br \/>\nSophia flicker and the mosaics weep in the darkness, because he is<br \/>\nthere, repeating over and over again the oath of the valiant man.<\/p>\n<blockquote><p><em><strong>Palaeologos takes leave of the palace<\/strong><\/em><\/p><\/blockquote>\n<p>People scattered like birds that have lost their way in the storm. We<br \/>\nall made our way back to the walls, to carry out our final duty, to gain<br \/>\nthe victory or to die. Night had fallen now, the last dusk had<br \/>\ndisappeared and a thick darkness enveloped the Imperial City. The<br \/>\ncampfires in the enemy camp, that fiery hell, were not lighted yet.<br \/>\nSoon&#8230; soon they would surround us once more \u2013 tonight was the third<br \/>\nnight \u2013 with their huge flames, lighted at the same time on all three<br \/>\nsides of our City, to the sound of shouting and frenzied drums, to cause<br \/>\npanic among us for the colossal assault they were preparing, to weaken<br \/>\nus, to frighten us with their flaming mass.<br \/>\nI raised my eyes to the sky and saw the waning moon, the scarred<br \/>\nmoon, whose light turned bitter on that prophetic night. It was waning,<br \/>\nalone and impassive, a curved cold light; the people of Byzantium, the<br \/>\nancient City, whose symbol it was for centuries, were now marching<br \/>\nalone and without help along the path to their fate.<\/p>\n<p>All the divine powers, those of the idols and those of the saints, had<br \/>\ndeparted that night. Neither the goddess Rhea, nor the goddess Tyche,<br \/>\nprotectresses of ancient Byzantium, nor the Theotokos, nor the<br \/>\nArchangel Michael were there. Yet we came out of the Hagia Sophia<br \/>\nour souls filled with hope. Our tears and prayers had raised within us<br \/>\nthe false sense of divine aid. Our God-protected City could not<br \/>\nbecome prey to their savage hands&#8230; And it was with joy, almost, that<br \/>\nwe ran to the walls, certain that this time, too, we would prevail&#8230;<br \/>\nCertain? Those were the moments of courage that exalted us, deified<br \/>\nus&#8230; We will annihilate them, yes, we said, they will be fighting against<br \/>\nthunder and lightning&#8230; against gods and heroes of myth&#8230; against<br \/>\ngiants. Ah, that pride, that exaltation that lasted for a few moments<br \/>\nonly, to give way to anguish and fear.<\/p>\n<p>I was running with the other officers to the Mese Hodos, when Kyr<br \/>\nAndronikos stopped me.<br \/>\n\u201cThe Emperor is going to the palace of Vlachernae; go there<br \/>\nquickly with his retinue,\u201d he said to me.<br \/>\nI looked at him questioningly.<br \/>\n\u201cIoannis is waiting for me, to lock the inner wall-gates,\u201d I answered.<br \/>\nHe leaned his heavy hand on my shoulder, \u201cwe have time for the<br \/>\nwall-gates&#8230; most of the men are not back yet&#8230; they were at the<br \/>\nliturgy.\u201d<\/p>\n<p>I ran to my horse, when I heard a desperate voice behind me,<br \/>\n\u201cPorphyrios&#8230; Porphyrios&#8230;\u201d I turned and saw my Eleni, near the<br \/>\nColumn of Constantine, the sleeping, exhausted child in her arms, and<br \/>\nI was shaken. I had totally forgotten her.<\/p>\n<p>I am ashamed. I embrace them both, \u201cforgive me&#8230;,\u201d I say to her,<br \/>\nand she is puzzled, thinks that I am asking forgiveness of my sins, as I<br \/>\nhad earlier, at the hour of Holy Communion. I reflect that, yes, that is<br \/>\nwhy I am seeking forgiveness; I am going to my death. I feel her tears<br \/>\non my face, warm tears, tears of anguish, \u201cforgive you?\u201d she asks, the<br \/>\nsobs choking her, \u201conly God&#8230; only God can forgive us our sins now&#8230;\u201d<br \/>\nI stand there, in the middle of the street.<\/p>\n<p>\u201cListen to me, I say to her, I don\u2019t have much time, I need to leave&#8230;<br \/>\nTake Zoe and stay at home&#8230; do not go out tonight&#8230; And remember<br \/>\nthat we are innocent&#8230; we are innocent, whatever tomorrow may<br \/>\nbring&#8230; we are burdened by no sin, do you hear me? Only if the cross of<br \/>\nmartyrdom is a sin or expiation for the sins of others&#8230; only if unjust<br \/>\nsuffering ordained by fate is considered a sin, only then may God<br \/>\nforgive us&#8230; so that we, too, can forgive Him.\u201d<\/p>\n<p>Her eyes filled with horror \u201cdon\u2019t&#8230;. don\u2019t blaspheme at this hour,<br \/>\ndo not sin, you mustn\u2019t&#8230;\u201d she says to me severely. And I lean over and<br \/>\nrest my head on the stone&#8230; I am a human, not a god, how can I bear<br \/>\nthe unbearable?<br \/>\nShe is holding the heirloom that I had placed on my Constantine,<br \/>\nthat miracle-working heirloom from the hand of Athanasios, \u201cyou, you<br \/>\nwear it tonight&#8230;,\u201d she says and tries to place it around my neck. I take<br \/>\nit and place it again on my son, who is still sleeping, \u201cEh, warrior&#8230; eh,<br \/>\nwarrior&#8230; why were you late?\u201d Something jars my mind, where am I<br \/>\nleaving him? What is in store for him? \u201cYou, you wear it tonight&#8230;,\u201d<br \/>\nshe says again, and a chill courses through my blood, \u201cno, not I, no&#8230;<br \/>\nthe child must be saved&#8230;,\u201d I say to her quickly and start to leave. She<br \/>\nlooks at me, trembling. \u201cWill the wall-gates be locked? Is it true that<br \/>\nthey will be locked soon?\u201d \u201cIt is true.\u201d<\/p>\n<p>As I turn to leave quickly, I see the glow out of the corner of my eye.<br \/>\nI look at Constantine\u2019s chest. The small ancient icon is glowing. I am<br \/>\nblinded for a few seconds. Then I bend over to venerate it and to kiss<br \/>\nmy sleeping son one more time. I see the mark on his forehead<br \/>\nglowing, tracing its own cycle on the orbit of the incomprehensible. As<br \/>\nI pass by the Acropolis to go up to Vlachernae, I see the triangle of the<br \/>\nImperial City surrounded by flame and my soul tightens. The waters<br \/>\nare shining in the reflection of the countless fires lighted by the infidel,<br \/>\na moving surface, grooved by the shimmering reflections, like breaths<br \/>\nof hell. The ominous sound of cymbals disturbs the calm of night. I<br \/>\ngallop through the empty, deserted streets of The City. Its houses are<br \/>\ndark; I see flickering lights only in the churches, and I hear chanting.<br \/>\nNo one sleeps tonight. The occasional window is dimly lit by a tired<br \/>\nlamp. I reach the fortress of Petrion and look to the right to see the<br \/>\nshores of the Golden Horn and the accursed seventy-two, minus one,<br \/>\nfustae that were brought overland to the Golden Horn from the hills of<br \/>\nPera, and cold chills roll through my body. It is the first time I hear<br \/>\nsuch frenzied shouts, such orgiastic merrymaking.<\/p>\n<p>I look at the pontoon bridge in the distance; it is aflame, and I hear<br \/>\nother noises, the dragging of metal and hurried orders. I see huge<br \/>\nmasses that are being dragged toward our walls, and I look more<br \/>\nclosely. There are arched screens and tall scaling ladders and mounds<br \/>\nof missiles and arrows and harquebuses. All Holy Lady, watch over<br \/>\nus&#8230;, I whisper quickly, as if seeking pardon for my earlier anger at my<br \/>\nGod. Watch over us, whether we be innocent or sinners, watch over us.<br \/>\nWhen I reached the palace, the Emperor was dismounting from<br \/>\nWhitefoot, his Arabian mare. I ran up to Demetrios, \u201cYou are here,<br \/>\ntoo?\u201d He looked at me out of the corner of his eye, \u201cIn an hour we<br \/>\nmust be at the St. Romanus Gate&#8230;,\u201d he whispers, as we walk behind<br \/>\nGeorgios.<\/p>\n<p>The Emperor\u2019s men run quickly to the palace. His elderly servants,<br \/>\ndevoted officials from the time of his father, Manuel, greet him with<br \/>\ntears in their eyes. He asks them all to gather in the great throne room,<br \/>\nbecause he wants to address them there.<br \/>\nI see Georgios, who had known all these devoted, panic-stricken<br \/>\npeople from childhood, calling them by their names \u2013Kyr Nikodemos,<br \/>\nKyr Nikitas, Bardas, Eudokia, Theodora \u2013 directing them to the ruined<br \/>\nhall. Some are holding lighted double-lamps, because night has<br \/>\nalready enveloped the ruined rooms, others are holding some sacred<br \/>\nvessel to exorcise the calamity.<\/p>\n<p>I stand with Demetrios to one side and look at a mosaic that<br \/>\nrepresents the two-headed eagle on the emblem of the Palaeologi,<br \/>\nwith the cross shining in the circle. The light from the candelabra<br \/>\nsparkles on the gold and gives life to the symbol, rousing its soul to<br \/>\nresist the oblivion that is to come. Through the half-ruined arched<br \/>\nwindows come snatches of light every so often from the huge fires in<br \/>\nthe enemy camp.<\/p>\n<p>Palaeologos, his eyes brimming with tears, turns to all those faithful<br \/>\nservants of the palace, his kindly and humble men and women, some of<br \/>\nthem he remembers from his childhood, others he came to know<br \/>\nduring the barely four and one-half years of his tormented reign. He<br \/>\nlooks at them one by one and the tears choke his voice. He asks their<br \/>\nforgiveness, remission of sins, if ever he had hurt them unwittingly \u2013 as<br \/>\nhe earlier asked forgiveness from his people \u2013 and then he embraces<br \/>\nthem one by one, and the lamentation is heart-rending.<\/p>\n<p>I see Georgios go to an empty corner of the hall, alone, to hide his<br \/>\nface in his hands. I approach him discreetly. I want to shout, but I am<br \/>\nsilent. He turns his head and looks at me with such affliction that I<br \/>\nthink he will faint. I tell myself he cannot endure it, and reach out my<br \/>\nhand to hold him up.<br \/>\nI do not speak. I have nothing to say, and words are useless. And he<br \/>\nleans on a reclining seat, a faraway look in his eyes, as if he was writing<br \/>\nat that hour the chronicle of our struggle, as if he stepped over time<br \/>\nand found himself on the opposite bank&#8230; In his deep voice he speaks<br \/>\nthese words, to be carried away by the winds of the calamity.<br \/>\n\u201cWho can recount the weeping and lamentation in the palace? Even<br \/>\nif a man were made of wood or stone, he would grieve&#8230;\u201d<br \/>\nSurely he is living the moment that is to be; he is already writing the<br \/>\nchronicle of suffering, I reflect hastily \u2013 so learned was he, the personal<br \/>\nsecretary to the Basileus \u2014 and a shudder runs down my spine, as if<br \/>\nthe future is ready and planned in detail.<\/p>\n<p>I approach the Emperor. I want to see him again, to touch him, as if<br \/>\nhe were a saint, yes, because there is no one more saintly at this hour, I<br \/>\nsay to myself, no one more of a martyr, and I fall at his feet, kneel, and<br \/>\nkiss his hands, forgive me, I want to say to him, forgive me for not<br \/>\nbeing capable of the impossible, for not being capable of annihilating<br \/>\nthe enemy, of burning him like a lightning bolt, but the words do not<br \/>\ncome; deep suffering has no words.<\/p>\n<p>He looks at me for an entire minute. His eyes look at me, unmoving,<br \/>\nas if they were elsewhere. Did those bright moments when we first met<br \/>\non Lemnos, on that August morning, near the grave of Catherine&#8230; did<br \/>\nthose moments pass through his mind? Behind the flow of tears I see<br \/>\nhis aristocratic hand, that slow movement as he removed the gold cross<br \/>\nand gave it to me, \u201cRemember me&#8230;\u201d I was still a tender boy then,<br \/>\nlooking at him in shock, I, who had gone to the fresh grave at dawn, to<br \/>\nseek the mystery of strength from the tears of the valiant man.<br \/>\n\u201cCatherine&#8230; he whispers, Catherine&#8230;\u201d<\/p>\n<p>I am trembling. He remembers it, yes, the crystal-clear morning on<br \/>\nLemnos, that fated meeting, when I found myself before him,<br \/>\nprompted by an inexplicable power, he remembered it, I tell myself.<br \/>\nHe is calling Catherine, his beloved wife, whom he buried there, in the<br \/>\nearth of Lemnos, twelve years earlier. I, I reminded him of that hour of<br \/>\nsuffering, and perhaps that calmed him, I tell myself. If The City is lost,<br \/>\ntomorrow will not find him among the living, and perhaps that bitter<br \/>\nsmile that appeared on his lips and calmed his expression, perhaps, I<br \/>\nthink, it was because he will meet her&#8230; That thought perhaps freed<br \/>\nhim from the anguish of crucifixion&#8230; Or perhaps, for a moment, he<br \/>\nsaw in my face his son who was never born&#8230; the son who would now be<br \/>\na twelve-year old lad, as I was then&#8230; He opened his arms, and<br \/>\nembraced me on both sides, \u201cYou, you&#8230;,\u201d he said, \u201chave climbed up to<br \/>\nGolgotha with me, since then&#8230; since&#8230;\u201d His voice broke, ended in a<br \/>\nsob and only his tears now touch my roughened face. Ah, those tears<br \/>\nwill never dry. Two wells of tears would be his memory, forever, and<br \/>\nonly legend could make them into silver droplets from the moon of<br \/>\nprophecy or white drops of wax from an Easter taper&#8230; Only legend, I<br \/>\nthink now, seventeen years later, could change them into marble in<br \/>\nother palaces, those made of fresh holy water and the trumpeting of<br \/>\nthe angel.<\/p>\n<p>It was because the pre-ordained night was controlling us, and we<br \/>\ncould not turn back the foaming torrent that was coming at us. We<br \/>\nwere not able to negate what was written.<br \/>\nI see the Emperor touch the throne, his hand shaking. A touch of<br \/>\ngold that shudders. His fingers remain motionless for a few moments.<br \/>\nPerhaps they are in other zones, touching the hosannas of the<br \/>\ntriumphs. I feel the desire to touch his golden throne, to take it as a<br \/>\npoint of reference, to carry it on my body into the memory of the<br \/>\nworld.<\/p>\n<p>I shake all over. Thoughts of despair, I tell myself.<br \/>\nThe palace staff head back to their rooms with heart-rending<br \/>\nmoans, but he, the martyr-Basileus, is strangely calm now. I look at his<br \/>\nface and do not dare to believe it. That unrelenting anguish, the terror,<br \/>\nthe endless tears, gave way to calm. His face is peaceful, kindly, as if he<br \/>\nwas receiving his death as a gift. Yes, I say to myself, now. He has made<br \/>\npeace with God and with men. He has carried out his duty as Basileus,<br \/>\nand fulfilled his duty as a Christian. He is no longer afraid. He is ready,<br \/>\nand calm. He is climbing the Mount of Olives, humble and proud, and<br \/>\nI admired him.<\/p>\n<p>As we were leaving with Demetrios, I turned around to look<br \/>\nat him one more time. He was standing next to his throne,<br \/>\nalone, and looking at the palace. He was saying farewell to<br \/>\nit. He looked at the mosaics and at the coat of arms of the Palaeologi<br \/>\nand the rooms, where the lament still echoed, and at the purple that<br \/>\nwas dying&#8230; He looked at all those things insatiably. As if he knew that<br \/>\nit was the last time. Or as if he wanted to take them with him like an<br \/>\nimprint of soul, to preserve them in the other dimensions of the<br \/>\nimmutable \u2013 on the journey to legend.<\/p>\n<p>As we came out with Demetrios and were about to mount<br \/>\nour horses, we heard some protesting voices. \u201cNo, you<br \/>\nGreeks should have brought them this afternoon&#8230; All day<br \/>\nlong we have been struggling to repair them&#8230; and now it is dark, we<br \/>\ncannot see well enough to set them up&#8230;\u201d<br \/>\n\u201cYou would do better to ask who will look after our families&#8230; We<br \/>\nhave families here, that are hungry&#8230;\u201d<\/p>\n<p>I approached and saw about thirty Venetian warriors who had<br \/>\ncarried seven wooden turrets for the battle on the walls. The Greeks,<br \/>\nthey said, had refused to transport them without compensation, if that<br \/>\nis true. \u201cYou must not quarrel among yourselves at this hour, by the<br \/>\nfaith&#8230;\u201d I had a difficult time calming them, and I reflected bitterly that<br \/>\neven in the final moments, petty quarrels were not lacking.<br \/>\nWe rode with Demetrios into the night, beside the dark mass of our<br \/>\nwalls, which were lit by the fires from the enemy camp. When we<br \/>\nreached the St. Romanus Gate, a strange calm made our hearts<br \/>\nuneasy. We climbed up to the rampart to look. All of our warriors were<br \/>\nalready out on the great peribolos of the Mesoteichion.<br \/>\nSoon, the wall-gates would be locked.<\/p>\n<blockquote><p><em><strong>The wall-gates of the inner wall<\/strong><\/em><br \/>\n<em><strong>are locked<\/strong><\/em><\/p><\/blockquote>\n<p>There is no longer a way out. The bolts and the rusty latches lock the<br \/>\nbrave men outside the inner wall, where the ruined Mesoteichion<br \/>\nleaves them almost without cover and exposed, behind the makeshift<br \/>\nwooden barrier. The night is dark, the moon is in its third quarter,<br \/>\nnineteen days old, a waning arc suspended in the indifferent sky. Only<br \/>\nthe flames, those huge flames, blind us every so often, making our<br \/>\nweakened walls appear like bare souls that fear death.<br \/>\nI am standing on the rampart of the tower. I want to look on this<br \/>\nscene. On the one side are fires and shouts and sundry noises, hasty<br \/>\nwhispers and harsh orders, the feverish preparation of the infidels; on<br \/>\nthe other side is The City that is dying, the Capital City that is<br \/>\nsleepless, filled with reverent chanting and tiny flickering flames of oil<br \/>\nlamps in half-dark churches, and with savage fear.<\/p>\n<p>This is the scene I want to take with me when I die, I reflect, this<br \/>\nearthly vision, infamy and the prayer of pain. O Lord, save thy people&#8230;<br \/>\nsave, Lord, save&#8230; I cannot pray any more, it is as if my words are<br \/>\nstriking an impenetrable wall and bouncing back. I am alone. God has<br \/>\nleft, or I have left; I must find my mystical powers and become a god. I<br \/>\nlook at all my fellow soldiers, whom I will soon lock outside the wall, to<br \/>\ngain the victory or to die, and I am totally beside myself with horror.<br \/>\nReality is so unbearable that it slips through my mind and takes on<br \/>\nother dimensions, and my fellow soldiers become mythical figures&#8230;<br \/>\nmythical gods&#8230; All of us who will soon throw ourselves into a certain<br \/>\ndeath for the honor of Christendom and for the salvation of our City<br \/>\nare gods, yes, I repeat, and the thought horrifies me, You have deified<br \/>\nus with Your abandonment, my God. You, You sought to annihilate us<br \/>\nwhile raising us up.<\/p>\n<p>I hear his footstep. I recognize it now. It is Ioannis. He is coming<br \/>\ntoward the rampart where I am standing. He sees me in the reflection<br \/>\nof the light. My heart is bursting. We will go to Lemnos, even dead&#8230;<br \/>\nthat is where our souls will wander&#8230;, I say to him in my mind. He is<br \/>\nuneasy. The continuous struggle against impossible odds has broken<br \/>\nhim. His unbridled efforts, his responsibility as field commander,<br \/>\nseeing to every need, addressing the shortage of weapons, the repairs&#8230;<br \/>\nah, the anguish, the anguish for all these daily details, the harsh<br \/>\nstruggle has broken him, yes, has buried him, made him a wild animal<br \/>\nin a burning forest. Yet, his body stands tall and proud. He is a<br \/>\nhandsome god, a mythical giant. I see him standing before me, and say<br \/>\nto myself that we will gain the victory this time, too&#8230; we cannot but&#8230;<br \/>\n\u201cI will find you on Lemnos&#8230;,\u201d I hear his deep voice, \u201cin my duchy&#8230;<br \/>\nI want this victory alone&#8230; this victory, by the faith&#8230; after it, the infidel<br \/>\nwill go away, will disappear&#8230;\u201d<\/p>\n<p>How much did he believe that? How afraid was he? I will never<br \/>\nknow. That fearless man needed, in that moment, to believe in victory.<br \/>\nBecause the matter out of which a god is made is miracle, I think now.<br \/>\nAnd all of us, on that fated night, were made out of the matter that<br \/>\ncreated You, my God, and that is why You came to hate us. We were<br \/>\nYour lowly creatures, whom you magnified by forsaking, whom You<br \/>\nnourished in your bosom for centuries, whom You deified and feared<br \/>\nand laid low&#8230; Forgive me the sinner, the pain is driving me to<br \/>\nmadness.<\/p>\n<p>Perhaps my mark was glowing in that hour; it had bled since dawn,<br \/>\nperhaps it glowed and bled at the same time. The courageous man<br \/>\nstretched out his hand and touched it, as he did each time. That was<br \/>\nour oath, now I know that, Ioannis&#8230;<br \/>\n\u201cYou will lock the wall-gates, down to the Charisian Gate. You will<br \/>\nalso lock the ancient postern gates, including the one I opened, all of<br \/>\nthem, and you will hand the keys to the Emperor,\u201d he said slowly, as if<br \/>\nhis words were unbearably heavy. He continued, \u201cyou will enter<br \/>\nthrough the Fifth Military Gate, the one that locks from the outside, or<br \/>\nthrough the secret gate of the tower&#8230; Demetrios and Manuelo will be<br \/>\nwith you.\u201d<\/p>\n<p>Even now, seventeen years later, I feel the same chill, the same<br \/>\nhorror flowing through my bones. I remember that I looked<br \/>\nat him for a few moments, and then grasped the hilt of my<br \/>\nsword, \u201cBy the faith, the infidels will have to fight with lions,\u201d I said. As<br \/>\nI made to leave, angry, I saw in the light of the flame a smile that<br \/>\ncrossed his steely expression.<br \/>\nThey will fight with lions, yes, with monsters that have seven lives, I<br \/>\nsaid to myself the entire way, as I leaped over the ramparts, to look for<br \/>\nthe others.<\/p>\n<p>They were waiting for me at the central gate.<br \/>\nAh, that prodigal night. The burnt odor on the one side, the odor of<br \/>\nflame and of buffalo meat roasting for their mindless feasting. The<br \/>\nfragrance of a church on the other side, of frankincense, and of<br \/>\nwailing. The odor of a soul burning in sacrifice.<br \/>\nI look around and see my fellow warriors. Greeks and Venetians<br \/>\nand Genoese, all brothers. Some are lying on the wall, others on the<br \/>\nground, in battle-dress, armed, ready. As the fires are extinguished<br \/>\nnow and the drums grow silent, each one of them sinks into his own<br \/>\nthoughts&#8230; or tries to escape from the anguish and to steal a few hours<br \/>\nof sleep. Some sing softly or finish their spare dinner; others, with eyes<br \/>\nwide open, are with their loved ones. Soon they will hear the sound of<br \/>\nthe bolt and the heavy latch, the sound of the key, they will hear it even<br \/>\nasleep, because that sound pierces all zones of sleep to enter the flesh.<\/p>\n<p>Soon they will hear the trumpet and leap to their feet&#8230; They know that<br \/>\nvictory is impossible, considering the numbers of the enemy&#8230; Soon&#8230;<br \/>\nSoon&#8230; We have only miracle on our side&#8230; But miracle has no mass to<br \/>\ncontend in the mind with the mass of the enemy hordes&#8230; and only<br \/>\nfear, a relentless wild fear dominated us, a fear that simultaneously<br \/>\nemboldened us, made us fearless, and also chilled us.<\/p>\n<p>Now I think that even if only this night were to survive of our<br \/>\nstruggles during the siege, if only this hour were to remain, with the<br \/>\nsound of the key commanding the fate of our death, that would suffice.<br \/>\nThat metallic sound alone, the metallic message that traced the<br \/>\ninterdependence of events would suffice, I think, to bear eternal<br \/>\nwitness to the grandeur and the steely resolve of all those brave men<br \/>\nwho had stretched out on the walls, awaiting the trumpet call.<br \/>\n\u201cLet\u2019s go&#8230; our mission is difficult&#8230;,\u201d I heard Demetrios beside me.<br \/>\nThe bolts and rusty latches were secured from the inside. The<br \/>\nhuge hammer-driven keys locked from the outside. The<br \/>\nsounds of other times; metallic sounds of a negated glory<br \/>\nthat time had rusted horribly. \u201cWe will meet the Emperor at the tower<br \/>\nof his headquarters; we will wait for him there&#8230;,\u201d I hear the voice of<br \/>\nDemetrios, as we head toward the Charisian Gate, the last gate in our<br \/>\ndefense. I do not reply. I can say nothing, and I know that he spoke<br \/>\nonly to break the silence, that unbroken deadly silence that has<br \/>\nweighed on us for some time now, since the first creaking wall-gate was<br \/>\nclosed and bolted. No one, not one of us speaks, we only watch.<\/p>\n<p>At that hour the cymbals and the shouting had died out in the<br \/>\nOttoman camp. The fires that had surrounded the wasted triangle of<br \/>\nour City for three nights now were extinguished. The huge<br \/>\nencampment was silent, and the well-fed troops went to sleep,<br \/>\ndreaming of riches and blood.<\/p>\n<p>The silence that descended, the black darkness, was more<br \/>\nnightmarish than the frenzied shouting and the fires. Now, only a few<br \/>\nsoft orders were audible, a few shadows were discernible, as they<br \/>\ncompleted, like ghosts, the filling of the foss, a few movements of bulky<br \/>\nweights whose backs shone. In the silence, while spring breezes<br \/>\ncompeted with the smells of burning and the monotonous barking of<br \/>\ndogs, the last bolts were drawn and the metallic sound of the key was<br \/>\nheard one more time, the sound that still pierces my sleep at night and<br \/>\nlocks me outside, in a gray, barren space, running about speechless in<br \/>\nnightmares, looking for the dead Emperor.<\/p>\n<p>The metallic noise. The sound that traced our path toward death in<br \/>\napocalyptic tones. It was not that thousands of human creatures had<br \/>\nnot traversed that same path without return; but that moment was<br \/>\nours. In that hour we were the world\u2019s courageous men, those beside<br \/>\nwhom death waited, sleepless, walking lightly in the flowering gardens.<br \/>\n\u201cYou take the keys&#8230; you hand them over&#8230;,\u201d the voice of Demetrios<br \/>\nagain brings me out of my reveries, as we return hastily to our positions<br \/>\nat the St. Romanus Gate. I take them in my hands. I, yes, until my last<br \/>\nbreath I will live through that difficult day. \u201cYes, I will hand them<br \/>\nover&#8230;,\u201d I answered quickly and sank again into my thoughts.<br \/>\nAnd I think that this moment alone of metallic noise, of locking the<br \/>\nheavy wall gates and of armed bodies that lay down to rest, awaiting<br \/>\nthe call of the trumpet, this huge, compacted moment alone would<br \/>\nsuffice to maintain the wakefulness of time, to maintain the<br \/>\nwakefulness of the night that will cover us.<\/p>\n<p>We separated at the small gate of the tower. We embraced silently<br \/>\nand each of us went to find a place to lie down. I stood at the entrance,<br \/>\nconfused. I did not want to sleep that night, not yet. Suddenly, a<br \/>\nfamiliar footstep approached, and a lamp lighted the darkness of the<br \/>\nwalkway. I turned and saw Kyr Andronikos.<\/p>\n<p>He was the one I wanted to see, he alone. \u201cAll the wall gates are<br \/>\nlocked and bolted&#8230; here are the keys,\u201d I say to him and show him the<br \/>\nring of keys. \u201cOnly the secret postern gate remains, which leads to the<br \/>\ntower of the headquarters&#8230;,\u201d I say to him and reflect that the Emperor<br \/>\nwill be the last one to enter&#8230; he will pass by here. \u201cI must wait for<br \/>\nhim&#8230;\u201d<\/p>\n<p>His hand is on my shoulder. The night breeze is blowing. I take a<br \/>\ndeep breath of the fragrant breeze, moist from the night\u2019s frost. \u201cHe<br \/>\nwill come in and lock the postern gate himself, he says, go and rest&#8230;\u201d<br \/>\nI look at him, shaken. \u201cNot before I turn over the keys.\u201d \u201cI will<br \/>\nwait&#8230; you go and sleep a bit.\u201d<br \/>\nI embrace him on both sides and lean on his shoulder. I am his slain<br \/>\nson at this hour \u2013 twice over. But no, I, I will hand him the keys&#8230; I will<br \/>\nsee him one more time&#8230; Will his expression still maintain its calm, I<br \/>\nwonder, that calm that contains suffering, that contains the ultimate<br \/>\nanguish and the acceptance of the inevitable? \u201cWhere is he? Where<br \/>\ncan he be now?\u201d I ask.<br \/>\nHe sighed. \u201cWith Georgios&#8230; he was making his last mounted<br \/>\ninspection of the walls&#8230; By now he must be at Caligaria&#8230;\u201d<br \/>\nNothing could hold me back. I looked at the desolate dark mass of<br \/>\nthe walls, which crept like a wounded reptile into the night. I looked at<br \/>\nthe flickering baneful lights that glowed in the windows of the churches<br \/>\nwhere the people were keeping a vigil. I heard the hasty commands of<br \/>\nthe Ottomans and the hair-raising sounds of preparation.<\/p>\n<p>The breeze was still blowing, whispering the final secrets of the<br \/>\nravaged spring. \u201cI want to go and find him&#8230; to give him the keys<br \/>\nmyself&#8230; to tell him that all is ready&#8230; Don\u2019t deny me that&#8230; I want to be<br \/>\nthe last one who will be locked outside the walls tonight.\u201d<br \/>\nKyr Andronikos was shaken. \u201cNo, by the saints&#8230; no, it\u2019s late&#8230; Go<br \/>\nand rest a while&#8230; Only a few hours remain&#8230;\u201d<br \/>\n\u201cYou stay here&#8230; at this gate, here&#8230; and wait for me, I won\u2019t be<br \/>\nlong&#8230; I want to ride one more time&#8230; You see this may be the&#8230; I just<br \/>\nwant to ride one more time&#8230;\u201d<\/p>\n<p>He did not have time to reply. In two leaps I was already on my<br \/>\nhorse riding next to the darkened walls. I do not even know what drew<br \/>\nme; passing by the small church of St. Romanus, which was near our<br \/>\nMilitary Gate of the same name, I stopped. I heard the chanting and it<br \/>\nwas as if something strange kept me there&#8230; I dismounted and looked<br \/>\nin the dark window. What was the nagging desire, the attraction that<br \/>\nmade me search&#8230; Ah, inexplicable powers, tiny moments which have<br \/>\nbeen called chance, but which hide the inexplicable in your depths.<br \/>\nI look in and a premonition tells me that somewhere there, among<br \/>\nthe kneeling crowd, I will see my Eleni. And I am not wrong. She is<br \/>\nthere, praying, there, mourning, there, chanting with the others, Our<br \/>\nLady, aid us&#8230;<\/p>\n<p>For a moment, I want to run to her side, to hold her in my arms<br \/>\none more time. But, no. I say, no, by the saints&#8230; And I do not<br \/>\neven know why. Nor do I have the time to think. Soon she will<br \/>\nleave, I tell myself. It is late now, they will all leave&#8230; She will go to little<br \/>\nConstantine, to Zoe, she will lock the house and stay there, waiting. All<br \/>\nmy thoughts lead to fear, and I shudder. I turn to look at the church as<br \/>\nI ride away; it is dark.<br \/>\nI ride as fast as I can, gallop into the night&#8230; and as soon as I reach<br \/>\nCaligaria, I see the Emperor and Georgios, who are dismounting at<br \/>\nthat moment, two tragic figures in the dark.<br \/>\nI hand the keys to Georgios and as I turn to return quickly to my<br \/>\nstation, I pause for a second.<br \/>\nI want to see him one more time, one last time.<\/p>\n<blockquote><p><em><strong>The final night ride<\/strong><\/em><br \/>\n<em><strong>of the Emperor<\/strong><\/em><\/p><\/blockquote>\n<p>It is the first cock-crow. I am standing at the Caligarian Gate and see<br \/>\nthe Emperor with Georgios ascending the tower at the end of the wall,<br \/>\nthe one from which one can look to the left at the Mesoteichion down<br \/>\nto the Lykos Valley, and to the right at the Golden Horn. I approach,<br \/>\nand in the dull light I see him alone now, a tragic figure in the night,<br \/>\nwho at that moment and at that cosmic point, commanded the mystical<br \/>\nsequence in the unfolding drama of history.<\/p>\n<p>I pause for one second longer. I want to hear the same sounds he is<br \/>\nhearing, to see the same scene he is seeing. Later, I will try to imagine<br \/>\nhis tears, the last tears of the valiant man, to imagine his thoughts, his<br \/>\nhuman agony.<br \/>\nThe night breeze blows on him, cools him perhaps, he raises his<br \/>\nhand to his face.<br \/>\nI gallop in the night, back to the St. Romanus Gate, and I am alone<br \/>\nin the silence. Now I know what he is seeing. I know the sounds that he<br \/>\nis hearing. I close my eyes and see him standing there still, raising his<br \/>\nhand every so often, looking. I am still alive, I say. And I am; I am<br \/>\nbeyond blood. I look at The City, which is about to die. A dark mass,<br \/>\nwet with unending tears, the tall crosses of its churches shining<br \/>\nstrangely, shimmering, as if they suspect that in barely a few hours,<br \/>\nthey will fall with a frightening noise, thrown down. Some windows and<br \/>\na few churches are still lighted. No one is sleeping tonight, I tell myself,<br \/>\nthey are awake, my Eleni is awake, she is on her knees praying, beside<br \/>\nthe sleeping little Constantine.<\/p>\n<p>I cannot look to the other side, the wall blocks my view, but I know.<br \/>\nThe dark, huge, camp becomes more nightmarish when you imagine<br \/>\nit&#8230; when you say: it sleeps here beside me like a creeping bloodthirsty<br \/>\nbeast, which will soon rise up hungry and attack with shouts and<br \/>\ndrums, to tear us apart.<\/p>\n<p>I run, dazed, toward the small gate of the tower. Kyr Andronikos is<br \/>\nwaiting for me. We do not speak. Each of us finds a corner and lies<br \/>\ndown. But I do not want to sleep. I think. I will wait for my Basileus, to<br \/>\nhear the sound of the last key&#8230; I will wait, yes, with eyes open, I will<br \/>\nimagine him on his last night ride.<\/p>\n<p>It was when he said farewell to his staff at the palace of<br \/>\nVlachernae. When he bid farewell to the throne room&#8230; It was<br \/>\nwhen he had made peace with God and with men, and his face<br \/>\nwas calm. For a while&#8230; Soon after, the anguish left its marks again,<br \/>\nalong with the struggle against the impossible. Time was passing; the<br \/>\nnight was relentless, and he had to hurry. He quickly mounted his<br \/>\nhorse, the lovely Arabian mare with the white feet, and accompanied<br \/>\nby his faithful secretary Georgios, made his last night-time inspection<br \/>\nof the walls, to insure that all the wall gates were locked tightly, bolted,<br \/>\nto say an encouraging word to the night guards, to the key-keepers, to<br \/>\nthe commanders of every defensive position.<\/p>\n<p>He left the St. Romanus Gate until last, he would take the keys<br \/>\nhimself when he came, but I had already handed them over to Georgios.<br \/>\nAll was ready now. The valiant man would come, would lock this last<br \/>\nsmall gate of the tower and then he would go to his room, to rest.<br \/>\nI say to myself, what a sad ride&#8230; what melancholy thoughts, what<br \/>\nbitter thoughts must have crossed his fearless mind, as he rode in the<br \/>\nspring night with the sea breezes and the fragrances of the<br \/>\nhedgerows&#8230; with the cries of the wild animals that smelled blood&#8230;<br \/>\nI want to hear the sound of the last key, I say to myself again, and I<br \/>\nknow that it is madness, as if I am seeking to feel even more pain, to<br \/>\nstretch my soul beyond its endurance, or as if I wanted to inscribe upon<br \/>\nit even the slightest sound, to cross to the other side of despair, where<br \/>\nmadness waits.<\/p>\n<p>My eyelids are closing from weariness, but I keep them open to look<br \/>\na while longer. He is alone at the tower of Caligaria and he is looking.<br \/>\nHe sees the Golden Horn on his right. Small fires sparkle. Fustae and<br \/>\nbiremes slip silently by in the dark waters of the inner bay, to draw near<br \/>\nto our shore. Small lights flicker as they creep like fading candles over<br \/>\nthe smooth surface of the water. He listens to the hurried commands<br \/>\nand the irregular sound of oars and the creaking of chains. Other<br \/>\nnoises come from the pontoon bridge, as materiel is unloaded, huge<br \/>\nladders and mounds of arrows and harquebuses and arbalests.<\/p>\n<p>He now casts a weary glance toward the Mesoteichion, in the Lykos<br \/>\nValley. The same rapid preparations there, too. The bronze masses<br \/>\nwith their curved backs are shining, accursed cannons that are being<br \/>\ndragged in the night, to position them closer to our walls. Some of the<br \/>\nenemy are filling the rest of the foss like demons. Others are moving<br \/>\ntheir materiel, sounds of haste, hair-raising sounds, repeated sounds,<br \/>\nrough orders, human shadows that slip like ghosts into the frenzied<br \/>\ndarkness.<\/p>\n<p>Everything is ready, whispering. And he turns his head to look at his<br \/>\nCity now, to bid it farewell. If he is killed, tomorrow night&#8230; and he<br \/>\nshudders, certainly&#8230; shudders in horror.<br \/>\nThis is his City, the Queen City, the pitiful relic of the great, worldruling<br \/>\nEmpire. And these are his people who lie awake tonight. His<br \/>\ntormented people with the invincible soul, the people who have<br \/>\nstruggled with him for fifty-seven days now, who have climbed to<br \/>\nGolgotha with him. Soon, they will be slaughtered in the sacrifice.<br \/>\nInnocent people. In all times, the innocent pay the price of history.<br \/>\nHis body is surely trembling, alone&#8230; If I could see, if I could see in<br \/>\nthe dark, I would know that he kneeled there, on the stones moist with<br \/>\nthe night\u2019s frost, kneeled and prayed. I am as a man that hath no<br \/>\nstrength\u2026 Hear me speedily, O Lord&#8230; Stretch out Your invincible hand<br \/>\nand crush my enemies.<\/p>\n<p>My eyelids are heavy from the great struggle, transporting<br \/>\nme into a deep sleep. Waves break over my exhausted<br \/>\nbody, and as I sink deeper, as I lose myself in those waves<br \/>\nof oblivion, I hear the sound of the key. A slight horizontal sound,<br \/>\ntraced by a metallic arc in my mind, defining the path of fate.<br \/>\nHe came&#8230; he came, I reflected, and try to sit up, to hear more<br \/>\nclearly. I hear his footsteps on the stone inner stairway. He is going up<br \/>\nto his room to rest. He is the martyred Emperor, I say to myself. He<br \/>\nstill is. What is he thinking, as he lies down, sorrowful, as he lays his<br \/>\nweary, tortured body down, what must he be thinking? Perhaps of his<br \/>\nson. The son who was never born, whom he buried twice: once with<br \/>\nTheodora at Mystra and once with Catherine on Lemnos&#8230;<\/p>\n<p>Constantine XII Palaeologos, the Conqueror, was never born. He only<br \/>\ndied. Later, he took in the fragrance of my son in the Hagia Sophia, the<br \/>\nson of Eleni who was his blood-relative, and he named the child<br \/>\nConstantine. Ah, with what longing he held the child in his arms&#8230; how<br \/>\nhe hugged the infant to his barren chest, poor, unfortunate man. Now I<br \/>\nsay to myself, perhaps he ordained it at the hour of the sacrament, I<br \/>\nmean, perhaps secretly and mystically, he assigned to the child the<br \/>\nplace of his own son, to walk the path of his own fate, which was the<br \/>\nfate of the Empire.<\/p>\n<p>My mind aches. But I do not want these huge waves of sleep to<br \/>\noverwhelm me, these waves that flow back and forth over my body, I<br \/>\ndo not want to lose myself in oblivion, no, I want to stay awake, to live<br \/>\nevery moment of the dawnless night.<\/p>\n<p>I say to myself perhaps he is kneeling now alone in the stone room,<br \/>\nwanting to pray one more time. Or perhaps he wants to forgive all<br \/>\nthose who abandoned him in his hour of need, to make peace even<br \/>\nwith those. But would he be able to, I wonder, would he forgive the<br \/>\nChristian leaders of the West or his brothers, the despots of the<br \/>\nPeloponnesus, who abandoned him with such mindless callousness in<br \/>\nthis critical hour? Would he forgive all those in The City itself, who<br \/>\nabandoned him, alone and without help: the clergy and the wealthy<br \/>\nmonasteries which, when he was struggling to find funds, locked away<br \/>\ntheir treasures more securely, under double locks in moist dark<br \/>\ncellars&#8230; or the other men of wealth, the nobles of the Imperial City<br \/>\nwho, with the same passion, alas, hid their treasures, which the starved<br \/>\nbirds of prey found the next day&#8230; I think, yes. He would have been<br \/>\nable to forgive. He could. Because his magnanimous heart had no<br \/>\nplace for hatred, and because he knew that these errors would be paid<br \/>\nfor in the same currency. If the Imperial City, this breakwater of<br \/>\nChristianity, was lost, the furious ocean of Islam would pour forth with<br \/>\nthe same savagery. Yet, he felt great sadness. He felt great sadness<br \/>\nbecause all of them were blinded and unable to see.<\/p>\n<p>My eyelids are heavier and heavier, but I saw him. As my<br \/>\neyes closed \u2013 I was unable to keep them open any longer \u2013I<br \/>\nsaw him. He looked at the half-light of dawn with a smile<br \/>\nand rushed out to battle. His sword was a lightning bolt that mowed<br \/>\ndown the infidels, annihilated them, trampled them&#8230; and I was beside<br \/>\nhim, we will prevail this time, too, we will annihilate them&#8230; And the<br \/>\nTheotokos was on the walls, ah, Lady, aid us&#8230; Protector of our City,<br \/>\nyou came&#8230; And I fall asleep.<\/p>\n<p>I sink into a deep and dark sleep, and I cannot say whether that<br \/>\nstrange intermittent noise I heard, which terrified me, was in my sleep<br \/>\nor outside it. Was it a dream or a hallucination&#8230; even today, I wonder.<br \/>\nI leaned over the tower and was horror-stricken. Our emblem, the<br \/>\nbanner with the two-headed eagle, which until now was fluttering in<br \/>\nthe night breeze, kept falling, repeatedly, and rolling in a mud of<br \/>\nblood; then it would rise up again, breathing heavily, and fall once<br \/>\nmore. I was trying to run to pick it up, to raise it proudly once more,<br \/>\nbut I could not move, my legs were paralyzed and my anguish was<br \/>\ngreat. And I remained there, stuck on the tower like a chained<br \/>\nPrometheus, watching. Until this strange thing happened. The eagle<br \/>\ncame to life, its wings were freed from the blood and they stirred,<br \/>\nfreeing themselves from the gold embroidery. That purple eagle with<br \/>\nthe two heads came to life, straightened his powerful body, moved his<br \/>\nwings strongly and flew away before my stunned eyes, disappearing<br \/>\nhigh up, becoming one with the infinite.<\/p>\n<p>t was at that moment that I heard the savage cries from the<br \/>\nenemy camp, and then the trumpet signal of our guards.<br \/>\n\u201cThe Turks&#8230; the assault&#8230;\u201d<br \/>\nAnd I leaped up.<\/p>\n<blockquote><p><em><strong>In the traces of the ancient signs<\/strong><\/em><\/p><\/blockquote>\n<p>Clip-clop. I hear the galloping of his horse. He is coming. My<br \/>\nConstantine. He is coming, astride his white horse, I see him. I see the<br \/>\nswift line of the glow left by his body and hear the trembling of the<br \/>\nearth where he passes.<br \/>\nMy Constantine is coming and I must hurry to finish these pages of<br \/>\nmemoirs, so that he can take them with him. I have written them for<br \/>\nhim, so that he can read them in the moonlight, when he will be<br \/>\nseeking the mystic passages, so that he will know.<\/p>\n<p>I go to the door of my house and breathe deeply. It is still night,<br \/>\ndeep night, and the frost has moistened the rock. A moist smell of<br \/>\nspring, smell of the innermost earth and of a root that awakens in its<br \/>\ndepths, it makes me dizzy and I collapse on the porch. Never, never did<br \/>\nI believe that my body would again experience the stirring of spring,<br \/>\nthis exquisite shudder of rebirth, which pierces all Your creatures, my<br \/>\nGod, even if I hated it once, because that earth, that death-scorched<br \/>\nroyal earth that You allowed them to pollute, will never be resurrected<br \/>\nby another spring, until the trumpet-call of Your Angel. Never, never<br \/>\ndid I believe that I would again find on my body the paths that lead to<br \/>\nYou, my God, paths that emerge out of Your mysteries, out of the<br \/>\nhidden codes of Your wisdom.<\/p>\n<p>From the day I went to Kotzinos and saw Manuelo, my nights<br \/>\nhave become crystalline, it appears. I do not sleep. I look<br \/>\nbehind the crystals at my son, who is on his way, coming, I<br \/>\nlisten to the words he exchanges with the bird, with the solitary tree,<br \/>\nand with the water of the spring that cools him and quenches his thirst.<br \/>\nAs for my Eleni, she is healing her wounds inside the happiness of the<br \/>\npearl cross, that cross with the carved circle on it, which my<br \/>\nConstantine found again and sent to me. The cross that saved the child<br \/>\nfrom the slave bazaar. Ah, Tsakalis&#8230; I must come and fall at your feet<br \/>\nto worship you, whoever you are&#8230; and I must hurry.<\/p>\n<p>My ill-starred Eleni is healing with this pearl cross. She holds it in<br \/>\nher weak hands, kisses it and searches on it for the lost paths, to walk<br \/>\nover them with bare, raw feet, to find the traces of soul. She speaks<br \/>\ntenderly to it, as if she is talking to her Constantine, speaking all the<br \/>\nwords she did not say to him when he was six and seven and ten years<br \/>\nold. Now she stays awake to speak them all in time, she weeps and<br \/>\nsings sweetly to him, weeps and rocks him to sleep.<\/p>\n<p>I do not speak to her; I only listen. Tears are healed by tears. Only<br \/>\nthey can open paths for the soul to tread. She is treading them now. By<br \/>\nherself, she is finding the paths in the mist. One by one, she is touching<br \/>\nthe signs that the soul has left behind.<\/p>\n<p>My body is trembling from the frosty cold. It is still March<br \/>\nand the snows have just melted and slightly softened the<br \/>\nheavy winter. My body is trembling, and that is what I<br \/>\nwant, to feel alive again, to liberate my body, to bring it out of its<br \/>\ndeaths. I hear the birds. The frenzied chirping and warbling has begun<br \/>\nand my soul is stirred.<br \/>\nSometimes I say to myself that the circle is the symbol of my life. It<br \/>\ncontains me. A circle that repeats itself and grows larger and larger,<br \/>\nand I am afraid that the cord will break and leave me defenseless, with<br \/>\nnothing&#8230;<\/p>\n<p>At other times I think that the line from my mark is dissolved now,<br \/>\nthat the cord of the circle has broken and become a straight line of<br \/>\nlighted tapers, like the souls that night on the walls&#8230; and I am walking<br \/>\nin that direction, totally naked.<br \/>\nIt has been some time now that the circle has been playing with the<br \/>\nstraight line of lighted tapers and the mark on my forehead appears to<br \/>\nbe drying up, growing dull, as if it is a hidden wound that time is<br \/>\nhealing. I tell myself that grace is a wound&#8230; that all these arcs intersect<br \/>\nsomewhere at their edge.<\/p>\n<p>My birthmark is drying up, yes, and that makes me think. I am<br \/>\nending&#8230; perhaps I am ending my human adventure; I want only to<br \/>\ncomplete my memoirs and to hand them over to my Constantine.<br \/>\nI knew from the beginning how vulnerable to corruption by time was<br \/>\na chronological recounting of events. That was why I chose the circle,<br \/>\nso that it would preclude the flight of memory. And I told myself, that<br \/>\nmy life consisted of repeating circles that grow larger. Only now,<br \/>\nanytime now, this circle, this final circle will be dissolved, as soon as I<br \/>\nreach the point of contact with the events from which I started. Then<br \/>\nthe circle will dissolve into a straight line, just like the endless solitude<br \/>\nof time in the dark night of the Hagia Sophia.<\/p>\n<p>The outer door opens in the dusk, and I see Demetrios wrapped in<br \/>\nhis old military cloak. He is standing tall before me; he could not sleep,<br \/>\nhe says, since the day he heard Manuelo talk about Constantine, his<br \/>\nsoul was roused. He is ready, he says, to take up arms and to go and<br \/>\nfight again&#8230; I look at him and marvel. His eyes are shining.<br \/>\n\u201cI am ready, I tell you, ready to&#8230;\u201d<br \/>\nI shudder to the depths of my being. I want to say the same thing&#8230;<br \/>\nbut my bent body prevents me.<\/p>\n<p>\u201cNot we,\u201d I say to him calmly, \u201cnot any more&#8230; we have finished.\u201d<br \/>\nHe looks at me, anguished, as if he is continuing the imaginings of<br \/>\nthe night, and cannot yet see the warped reality.<br \/>\n\u201cTo die there,\u201d he goes on, \u201call I ask, by the faith, is to die there<br \/>\nfighting&#8230;\u201d<br \/>\nI bring him inside. He is cold. I light a fire in the hearth and prepare<br \/>\na fragrant brew of thyme.<br \/>\n\u201cIs that what you were thinking about all night?\u201d<br \/>\n\u201cEvery night&#8230; from the day that Manuelo told us that your<br \/>\nConstantine was gathering an army to take back The City&#8230; Only your<br \/>\nson could do that&#8230; the son of tourmarches Porphyrios Sgouromallis&#8230;<br \/>\nAh, I remember still how you threw yourself into battle&#8230; with what<br \/>\npassion, by the saints, a lion, a lightning bolt&#8230; only your son, yes&#8230;\u201d<br \/>\nI roast some sweet quinces that Nikias had brought me from my<br \/>\nfather\u2019s orchards&#8230; and sprinkle them with must-syrup; a sweet smell<br \/>\nperfumes the room.<br \/>\n\u201cI tell you, we have finished, Demetrios&#8230; We died at the walls&#8230;<br \/>\nThat death is what we are carrying with us, do you understand? Drop<br \/>\nby drop it falls off us wherever we step&#8230;\u201d<br \/>\nHe does not speak. He only shakes his head. Then he gets up and<br \/>\nfills two cups with wine. He is thinking.<br \/>\n\u201cPerhaps you are right,\u201d he says. \u201cSurely, you are right&#8230; we are<br \/>\ncarrying around our death&#8230;\u201d<br \/>\nHe empties the cup. The last drop trembles on his lips. He sinks into<br \/>\nthought.<br \/>\n\u201cNow&#8230; whenever I drink wine, I think of him&#8230; that giant of our<br \/>\nstruggle&#8230;our god, Ioannis!\u201d<br \/>\nI observe that he is looking at me strangely, as if he is searching for<br \/>\nwhat it was that made the hero single me out.<br \/>\n\u201cThe mark&#8230; surely, your mark, that was what bound him to you&#8230;<br \/>\nthat was what made you stand out&#8230;\u201d<br \/>\nMy body trembles as I remember the touch of his hand on the circle,<br \/>\neach time that it bled.<br \/>\n\u201cHe would touch me here, on the forehead&#8230;\u201d I say, as if I am<br \/>\ntalking to myself, \u201cand that touch had such power&#8230; as if it was an<br \/>\noath&#8230; do you understand? A mystical, exquisite oath, to meet again on<br \/>\nLemnos&#8230; in his duchy&#8230; And now I think, he is here&#8230; wandering about<br \/>\nhere, but I have not found him yet&#8230; he is not giving me a sign&#8230; only<br \/>\nthat one night in the silver mirror&#8230; that bloody passing&#8230; nothing<br \/>\nelse.\u201d<br \/>\nHe is silent for some time. Then he raises his shaking hand and<br \/>\nplaces it there, at the same spot.<br \/>\n\u201cYou are blessed,\u201d he says, \u201cnow I know it&#8230; And I bless the hour<br \/>\nwhen I found you again.\u201d<\/p>\n<p><em><strong>From the Foorteen Chapter of the novel<\/strong><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>The last liturgy in the Hagia Sophia Extracts from the novel Night falls over the Imperial City Night is falling over the long-suffering Imperial City that is about to die. Night is falling on the God-protected City of Constantine. Night is falling on the anguish of those about to die. Behind the unending flow of [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","spay_email":""},"_links":{"self":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6671"}],"collection":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/comments?post=6671"}],"version-history":[{"count":2,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6671\/revisions"}],"predecessor-version":[{"id":6673,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6671\/revisions\/6673"}],"wp:attachment":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/media?parent=6671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}