{"id":6045,"date":"2020-06-03T09:50:44","date_gmt":"2020-06-03T09:50:44","guid":{"rendered":"https:\/\/marialampadaridoupothou.gr\/?page_id=6045"},"modified":"2021-06-13T07:41:24","modified_gmt":"2021-06-13T07:41:24","slug":"%ce%bc%ce%b5%cf%84%ce%b1%cf%86%cf%81%ce%b1%cf%83%ce%bc%ce%ad%ce%bd%ce%b1-%ce%ba%ce%b5%ce%af%ce%bc%ce%b5%ce%bd%ce%b1","status":"publish","type":"page","link":"https:\/\/marialampadaridoupothou.gr\/en\/%ce%bc%ce%b5%cf%84%ce%b1%cf%86%cf%81%ce%b1%cf%83%ce%bc%ce%ad%ce%bd%ce%b1-%ce%ba%ce%b5%ce%af%ce%bc%ce%b5%ce%bd%ce%b1\/","title":{"rendered":"For the english reader"},"content":{"rendered":"
<\/div>\n\n\n\n
\"\"
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Now that the circle is closing around me<\/em>
And it grows dark<\/em>
Now that time<\/em>
Trapped in my flesh<\/em>
Illuminates the frontiers<\/em>
You come like an oracle of the Unknown<\/em>
Dilating the particles of matter<\/em>
For me to pass through<\/em><\/strong><\/p><\/blockquote>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n
FIRST PASSAGE:<\/strong>
The Agony of Matter<\/strong><\/em><\/h5>\n\n\n
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\n

Winter will find me naked
In a dilapidated room
With time welling up through the holes of the floors
Winter will find me stirring the ashes of my poetry
A handful of words — like star or blood
Like I wander or oath — like
Souls can smell — I burn them to warm myself.

Winter will find me barefoot wandering
Up and down the one and only abyss
The soil is soft I sink into it
Mud from ancient stars
“I will get through,” I say
Branches of the azure in my hands
And the tree officiates over the silver of the desert
Odor of the boundless void
My pained matter that I inhabited.
I raise my poetry before
Garment stained with blood
I burn it to warm myself.<\/p>\n\n\n\n

And it rains and rains in my tattered room
Which sways a reward for fire
It rains full moon and ancient blood
Crystals laden with my centuries.
I bend over to look at myself in the most,<\/p>\n<\/div>\n\n\n\n

\n

In the most deep well of cracked crystal
My face perplexed and mournful
And it rains and rains silver deserts on the sacred icon
My body is an odor of night’s shudder
And the archangel standing in the window
Fashions a sensuous curve from God and Universe
I wrap myself in the boundless azure
To pass through.

Winter will find me dreaming
A rose sprouted on the storm
With paradise shifting like a mirage
and Time still prophetic
liberating the stars from my flesh.
Winter will find me in the desert
Marching like a revelation
And Age, the Exterminator, melts like
A scented candle
With the seven flames kindled in my body
Sites of nascent whiteness
With a fragrance of burnt pine-needle for recognition
A rose that prays forgotten
At the edge of the storm
I walk no longer
I sink down like a prophetic dream.
Mystic Passage<\/a><\/strong><\/em><\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

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<\/div>\n\n\n\n

\"portrait<\/a><\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n

Poetry<\/h3>\n

Mystic Passage in English<\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>The first passage of the collection Mystic Passage and thought<\/a> \u00a0<\/strong><\/em>\u25a0 \u00a0As a beautiful dead<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>I gather my belongings, a volume with eleven collections of poetry<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>And the abyss rose up to my knees<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>View towards the Unspoken<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>The light of your face<\/strong><\/em><\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>On the wings of winds<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>Walking and dreaming<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>In our Times of Betrayal<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>Landscapes of Adolescence, Poems in the Latin Quarter<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>The child was a star that faded away<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>Small Worlds<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Study<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Encounters\u00a0<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Hear me...<\/a> \u00a0 \u25a0\u00a0 <\/strong><\/em>The poet writes history<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Athens, beloved city<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>For my little Marina<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Gallipoli or ANZAC 100 years later: \"When injustice becomes the history of the people\"<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>I can't breath - George Floyd<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>\u0391\u03bd\u03b1\u03c4\u03ad\u03bb\u03bb\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03bf 2021\u00a0 \u25a0\u00a0\u00a0<\/a><\/strong><\/em>\u039f \u03c0\u03c1\u03bf\u03b1\u03b9\u03ce\u03bd\u03b9\u03bf\u03c2 \u03bf\u03b2\u03bf\u03bb\u03cc\u03c2, \u03c0\u03bf\u03af\u03b7\u03bc\u03b1 2020<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

\u00a0<\/h4>\n

Interviews<\/h3>\n

\"I made this, I forgot and remember\", inteview why I write to Eleni Gika<\/a> \u00a0
<\/strong><\/em><\/p>\n

Interview to professor Dimitra Chalazia, for the magazine \u201cKnowledge travels.. in Greek\u201d published in Switzerland\u00a0 \u00a0<\/a><\/em><\/strong><\/em><\/p>\n

Interview in VIMAgazino with Eri Vardaki, The Wooden Wall in the European Union, 2020<\/a><\/strong><\/em><\/p>\n

\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03bf Liberal, \u201c\u0397 \u03c4\u03b5\u03bb\u03b5\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1 \u03c4\u03b7\u03c2 \u03b3\u03c1\u03b1\u03c6\u03ae\u03c2\u201d \u0399\u03bf\u03cd\u03bb\u03b9\u03bf\u03c2 2020<\/a><\/strong><\/em><\/p>\n

\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03b7\u03bd \u03b5\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03a4\u03bf \u0392\u0397\u039c\u0391 \u03c4\u03b7\u03c2 \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae\u03c2\u00a0 2020<\/strong><\/em><\/a><\/p>\n

\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03c3\u03c4\u03b7\u03bd \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf \u039a\u03b1\u03c4\u03b5\u03c1\u03af\u03bd\u03b1 \u039b\u03c5\u03bc\u03c0\u03b5\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd HuffingtonPost\u00a0 2021<\/a><\/strong><\/em><\/p>\n

The droplet and the river, interview with Zoe Samara<\/a><\/strong><\/em><\/p>\n

\u039f \u0386\u03b3\u03b3\u03b5\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03a3\u03c4\u03ac\u03c7\u03c4\u03b7\u03c2, \u03c9\u03c2 \u03b1\u03bd\u03b1\u03c3\u03c4\u03b1\u03c3\u03b9\u03bc\u03bf \u03c0\u03b1\u03c3\u03c7\u03b1\u03bb\u03b9\u03bd\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03b9\u03b5\u03cd\u03c4\u03b7\u03ba\u03b5 \u03c3\u03c4\u03bf \u0392\u03ae\u03bc\u03b1, \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae \u03c4\u03c9\u03bd \u0392\u03b1\u0390\u03c9\u03bd, 2021, \u03c4\u03bf \u03b1\u03c5\u03b8\u03b5\u03bd\u03c4\u03b9\u03ba\u03cc<\/a><\/strong><\/em><\/p>\n

\u00a0<\/h3>\n

\u00a0<\/p>\n

Different texts about poetry (speeches, reviews, thoughts)<\/h3>\n

Preface by Jacques Lacarri\u00e8re for the Mystic Passage<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Preface of the poetry \u201cMystic Passage\u201d in Swedish<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Mystic Passage, review by professor Apostolos Athanasakis<\/a><\/strong><\/em>\u00a0 \u25a0\u00a0 Pr\u00e9face de Jacques Lacarri\u00e8re en fran\u00e7ais pour la po\u00e9sie Passage Mystique<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Mystic Passage, review by Bengt Holmqvist, in Stockholm<\/a>\u00a0 \u25a0\u00a0 Poetry has always been for me the raw material of my books<\/a> \u00a0<\/strong><\/em>\u25a0 Opening speech for the 2nd International Women Playwrights Conference held in Toronto, Canada 1991<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Speech for the International Woman\u2019s Playwright Conference, in Athens, October 2000<\/a> \u00a0\u25a0\u00a0 <\/strong><\/em>How surrealism of the Absurd Theater passed in my novels \u2013 and what theatrical writing meant to me<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>After the performance of \u201cAntigone\u201d at Haward University, professor Rhoda Kaufman speaks to the journalists<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Pages from my diaries Hayward University, literary events<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>No criticism can make a book better, or the opposite, than it is<\/a>\u00a0 \u25a0\u00a0 <\/strong>Theatre<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>As a playwright<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>What do the books I wrote about Samuel Beckett and Odysseus Elytis mean to me<\/a> \u00a0 \u25a0\u00a0 <\/strong><\/em>Even if we have forgotten our own childhood, It remembers us<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0 \u0388\u03c6\u03c5\u03b3\u03b5 \u03bf \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf\u03c2 \u03b4\u03b9\u03b1\u03bd\u03bf\u03b7\u03c4\u03ae\u03c2 George Steiner, \u03b8\u03b1\u03c5\u03bc\u03b1\u03c3\u03c4\u03ae\u03c2 \u03c4\u03b7\u03c2 \u0395\u03bb\u03bb\u03ac\u03b4\u03b1\u03c2<\/a>\u00a0 \u25a0\u00a0 I write, because this is the only way that I can exist<\/a> \u00a0<\/strong><\/em>\u25a0\u00a0 Lemnos, island of the gods<\/a> \u00a0<\/strong><\/em>\u25a0 \u00a0From soul to the soul<\/a>\u00a0 <\/strong><\/em>\u25a0 Lemnos, beloved over aIl lands<\/a>\u00a0 \u00a0<\/em>\u25a0\u00a0\u00a0<\/strong><\/em>\u0397 \u03c3\u03c0\u03b7\u03bb\u03b9\u03ac \u03c4\u03bf\u03c5 \u03a6\u03b9\u03bb\u03bf\u03ba\u03c4\u03ae\u03c4\u03b7 \u03b4\u03af\u03c0\u03bb\u03b1 \u03c3\u03c4\u03bf \u0399\u03b5\u03c1\u03cc \u03c4\u03c9\u03bd \u039a\u03b1\u03b2\u03b5\u03af\u03c1\u03c9\u03bd, \u03c3\u03c4\u03b7 \u039b\u03ae\u03bc\u03bd\u03bf\u00a0 \u25a0\u00a0 <\/a>Preface de Jacques Lacarri\u00e8re pour le livre on \u201cSamuel Beckett\u201d\u00a0 \u25a0\u00a0 <\/a>Waves of three seas, Swedish magazine, 1995, after the cruise\u00a0 <\/a>\u25a0<\/a>\u00a0 \u00a0<\/a>\u0394\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7 \u03c3\u03c4\u03bf \u03c0\u03b5\u03c1\u03b9\u03bf\u03b4\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u039f\u03c5\u03bd\u03ad\u03c3\u03ba\u03bf \u00a8\u03a4\u03bf \u03c6\u03c4\u03b9\u03b1\u03be\u03b1 \u03b3\u03b9\u03b1 \u03bd\u03b1 \u03c0\u03b1\u03af\u03b6\u03c9”, 1989, \u03c3\u03c4\u03bf \u03c0\u03c1\u03cc\u03b3\u03c1\u03b1\u03bc\u03bc\u03b1 “\u03a3\u03ce\u03c3\u03c4\u03b5 \u03c4\u03b1 \u03c0\u03b1\u03b9\u03b4\u03b9\u03ac”\u00a0 <\/a>\u25a0<\/a>\u00a0<\/a>\u00a0 \u00a0 \u00a0 <\/a>\u03a0\u03bf\u03af\u03b7\u03c3\u03b7 \u03ba\u03b1\u03b9 \u03b1\u03b3\u03c9\u03bd\u03af\u03b1 \u03c0\u03b1\u03c1\u03b1\u03bc\u03bf\u03bd\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03c7\u03b9\u03bb\u03b9\u03b5\u03c4\u03af\u03b1\u03c2, \u03c3\u03b1\u03bd \u03bc\u03bf\u03bd\u03cc\u03bb\u03bf\u03b3\u03bf\u03c2<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

\u00a0<\/strong><\/em><\/p>\n

Novels<\/h3>\n
\u00a0<\/h5>\n

The Wooden Wall<\/strong><\/em><\/p>\n

The Wooden Wall, summary In English<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Wooden Wall excerpt: Chapter 14, The Naval Battle Of Salamis<\/a>\u00a0 \u25a0\u00a0 The Wooden Wall excerpt: Chapter 15, The naval battle<\/a>\u00a0<\/strong> \u25a0 <\/strong>The Wooden Wall excerpt: Chapter 18, Iridescent fragments<\/a>\u00a0 \u25a0 The Wooden Wall excerpt: Between the End and Eternity, Seven years later<\/a>\u00a0 \u25a0 The Wooden Wall excerpt: On the road to the Nekyomanteion, The last chapter<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>The Wooden Wall, review by Zoe Samara<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>The metaphysical dimension in the work of m.l.p., study of Eri Stavropoulou<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>T\u03bf \u03be\u03cd\u03bb\u03b9\u03bd\u03bf \u03c4\u03b5\u03af\u03c7\u03bf\u03c2,\u00a0 \u201c\u03a0\u03b1\u03bb\u03af\u03bc\u03c8\u03b7\u03c3\u03c4\u03bf \u03ba\u03b1\u03b9 \u03b8\u03ad\u03b1\u03c3\u03b7 \u03c4\u03b7\u03c2 \u0399\u03c3\u03c4\u03bf\u03c1\u03af\u03b1\u03c2\u201d, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03bc\u03b5\u03bb\u03ad\u03c4\u03b7 \u03c4\u03b7\u03c2 \u03a3\u03bf\u03c6\u03af\u03b1\u03c2 \u03a6\u03b5\u03bb\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>\u03a4\u03bf \u039e\u03cd\u03bb\u03b9\u03bd\u03bf \u03a4\u03b5\u03af\u03c7\u03bf\u03c2, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u0395\u03bb\u03ad\u03bd\u03b7\u03c2 \u03a7\u03c9\u03c1\u03b5\u03ac\u03bd\u03b8\u03b7 \u03c3\u03c4\u03bf \u03b4\u03b9\u03ac\u03c3\u03c4\u03b9\u03c7\u03bf<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>“The Wooden Wall”\u00a0 review for the novel<\/a>\u00a0\u00a0 \u25a0\u00a0 \u201cThe wooden wall\u201d, review for the novel<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>\u201cThe wooden wall\u201d review for the novel<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>\u201cThe wooden wall\u201d review for the novel, at the newspaper Vradini<\/a>\u00a0 \u25a0\u00a0\u00a0<\/em><\/strong>\u201cThe wooden wall\u201d review for the novel at the newspaper To Vima<\/a> \u25a0\u00a0 \u00a0<\/a><\/strong><\/em>Salamis, the island that gave birth to History, speech about the Wooden Wall in Salamis<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>The Wooden Wall, Writer's workshop, For the book's reissue by Patakis Publications<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

The City has been taken<\/strong><\/em><\/p>\n

\u201cThe City has been taken\u201d<\/a>\u00a0\u25a0\u00a0\u00a0<\/em><\/strong>\u201cThe last Emperor of Byzantium\u201d Chapter One: To Lemnos, the Isle Beloved\u2026<\/a>\u00a0\u00a0 \u25a0\u00a0<\/em>\u00a0\u00a0<\/strong>The last Emperor of Byzantium, the last chapter \u201cMy son, my Konstantine\u201d\u00a0<\/a> \u25a0\u00a0\u00a0<\/strong><\/em>The Last Emperor of Byzantium Or: \u201cThe City has been taken, been taken\u201d<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>\u201cThe last \u0395mperor of Byzantium\u201d thoughts and cover text<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>The last Emperor of Byzantium, Author\u2019s note for the novel<\/a>\u00a0 \u25a0<\/em>\u00a0\u00a0<\/strong><\/em>The City has been taken, review by Dimitris Stamelos The heroic and tragic event of the Fall<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>The Fall of Constantinople, review for the novel<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The City has been taken, review for the novel<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

The Angel of Ashes<\/strong><\/em><\/p>\n

The Angel of Ashes<\/a>\u00a0 \u25a0\u00a0\u00a0<\/em><\/strong>Preface to the new edition of the book, in Patakis publishing, 2017<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>Summary of the Novel The Angel of Ashes, the folksong \u201cThe Lay of the Dead Brother\u201d<\/a>\u00a0 \u25a0 \u00a0Excerpts and summary from the novel<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Angel of Ashes, review by Eri Stavropoulou, \u201cThe fragile balance in the Angel of Ashes\u201d<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Angel of Ashes, review by Dimitris Tsiamalos, \"The history of the primal soul\"<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Angel of Ashes, review by Margarita Papageorgiou, \"Love like blood\"<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The earthly magic of the orphic narration by Zoe Samara<\/a>\u00a0 \u25a0 \u00a0\u03a4he Angel of Ashes, interview with Vassilis Rouvalis<\/a>\u00a0 \u25a0\u00a0\u00a0The Angel of Ashes, interview with Eleni Gkika, \"After eighteen years\"<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

\u00a0Moonlight\u00a0<\/strong><\/em><\/p>\n

Moonlight, Prometheus and the primordial knowledge<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Moonlight, review by Maria Litsardaki, \u201cA fight of uneven confrontation with seen and unseen forces\u201d<\/strong><\/em><\/a>\u00a0 <\/strong><\/em> \u25a0\u00a0 <\/strong><\/em>The earthly magic of the orphic narration by Zoe Samara<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>When the Chaos Stirs<\/strong><\/em><\/a>\u00a0 <\/strong><\/em> \u25a0\u00a0 <\/strong><\/em>\u201cMoonlight\u201d or \u201cPrometheus\u201d, synopsis-summary of the novel<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>PART TWO of the novel \u201cMoonlight\u201d or \u201cPrometheus\u201d<\/a><\/strong><\/em><\/p>\n

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The sixth Seal\u00a0<\/strong><\/em><\/p>\n<\/header>\n

\u0397 \u0388\u03ba\u03c4\u03b7 \u03a3\u03c6\u03c1\u03b1\u03b3\u03af\u03b4\u03b1, \u03bf\u03b9 \u03b1\u03c1\u03c7\u03ad\u03b3\u03bf\u03bd\u03b5\u03c2 \u03b4\u03c5\u03bd\u03ac\u03bc\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03c4\u03cc\u03c0\u03bf\u03c5 \u03c0\u03bf\u03c5 \u03b1\u03bd\u03c4\u03b9\u03c3\u03c4\u03ad\u03ba\u03b5\u03c4\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u03ba\u03b1\u03c4\u03b1\u03c3\u03c4\u03c1\u03bf\u03c6\u03ae<\/a>\u00a0 \u25a0 \u00a0\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c4\u03b7\u03c2 \u0395\u03bb\u03ad\u03bd\u03b7\u03c2 \u0393\u03ba\u03af\u03ba\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u0388\u03ba\u03c4\u03b7 \u03a3\u03c6\u03c1\u03b1\u03b3\u03af\u03b4\u03b1<\/a>\u00a0 \u25a0 \u00a0The earthly magic of the orphic narration by Zoe Samara<\/a>\u00a0 \u25a0 The Sixth Seal, review by Nana Esaya<\/a>\u00a0 \u25a0 \u00a0\u0397 \u0388\u03ba\u03c4\u03b7 \u03a3\u03c6\u03c1\u03b1\u03b3\u03af\u03b4\u03b1, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u2013 \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 \u039b\u03b5\u03c9\u03bd\u03af\u03b4\u03b1 \u0392\u03b5\u03bb\u03b9\u03b1\u03c1\u03bf\u03cd\u03c4\u03b7<\/a>\u00a0 \u25a0\u00a0 The sixth seal, interview with Eleni Gkika, \"The places that we dreamed of\"<\/a>\u00a0 \u25a0 \u00a0The sixth seal, interview with journalist Nikos Parnassas<\/a>\u00a0 \u25a0\u00a0 The sixth seal, Writer's workshop, How the novel was born<\/a>\u00a0 \u25a0 \u00a0The Sixth Seal, short summary<\/a>\u00a0 \u25a0\u00a0 Summary of the plot by Chapter\u00a0 <\/a>\u25a0<\/a><\/strong><\/em><\/p>\n

\n

The Sacred River<\/strong><\/em><\/p>\n

The Sacred River<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>The Sacred River, cover page of he novel<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>The Sacred River, Summary of the novel<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Sacred River, Part One, chapter five<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The Sacred River,\u00a0 Part Two, chapter one<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Sacred River, review by Eleni Gkika, “The initiative writing of m.l.p.”<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0\u00a0<\/strong><\/em>Sacred River, review by Zoe Samara, “Half her flower”<\/em><\/strong><\/a>\u00a0 <\/em><\/strong>\u25a0 \u00a0<\/em><\/strong>The earthly magic of the orphic narration by Zoe Samara<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>Sacred River, interview with Asterios Loukas, “Journey to the unseen”<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>Sacred River, interview with Eleni Gkika, “Only those in love and poets live moments of splendor”<\/strong><\/em><\/a><\/p>\n

\u00a0<\/p>\n

With the storm lamp<\/strong><\/em><\/p>\n

With the storm lamp<\/a>\u00a0 \u25a0 \u00a0small text <\/a><\/strong><\/em>In english<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>Recommendation to the plenary session of the Academy of Athens by Tasos Athanasiadis<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>\u039c\u03b5 \u03c4\u03b7 \u039b\u03ac\u03bc\u03c0\u03b1 \u0398\u03c5\u03ad\u03bb\u03bb\u03b7\u03c2, \u03c3\u03ba\u03ad\u03c8\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2 \u03c3\u03c5\u03b3\u03b3\u03c1\u03b1\u03c6\u03ad\u03c9\u03c2, \u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03ae\u03c1\u03b9<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>\u039c\u03b5 \u03c4\u03b7 \u03bb\u03ac\u03bc\u03c0\u03b1 \u03b8\u03c5\u03ad\u03bb\u03bb\u03b7\u03c2, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c4\u03bf\u03c5 \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7 \u03a3\u03c4\u03b1\u03bc\u03ad\u03bb\u03bf\u03c5<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>\u039c\u03b5 \u03c4\u03b7 \u039b\u03ac\u03bc\u03c0\u03b1 \u0398\u03c5\u03ad\u03bb\u03bb\u03b7\u03c2, \u03ba\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03bc\u03b5\u03bb\u03ad\u03c4\u03b7 \u03c4\u03bf\u03c5 \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7 \u0393\u03bf\u03c5\u03bd\u03b5\u03bb\u03ac, \u03bc\u03af\u03be\u03b7 \u03c4\u03bf\u03c5 \u03c4\u03c1\u03b1\u03b3\u03b9\u03ba\u03bf\u03cd \u03bc\u03b5 \u03c4\u03b7\u03bd \u03c5\u03c0\u03b5\u03c1\u03b2\u03bf\u03bb\u03ae: \u0388\u03bd\u03b1 \u03b1\u03c0\u03cc \u03c4\u03b1 \u03c0\u03b5\u03b9\u03c1\u03ac\u03bc\u03b1\u03c4\u03b1 \u03c4\u03b7\u03c2 \u03bc. \u03bb. \u03c0.<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>The earthly magic of the orphic narration by Zoe Samara\u00a0 <\/a>\u25a0<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n<\/div>\n

Natalia and Christina<\/strong><\/em><\/p>\n

Natalia and Christina<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>First Chapter (In English)<\/strong><\/a>\u00a0 <\/strong>\u25a0 \u00a0<\/em><\/strong>\u0397 \u03b3\u03c5\u03bd\u03b1\u03af\u03ba\u03b1 \u03c3\u03c4\u03b1 \u03bc\u03c5\u03b8\u03b9\u03c3\u03c4\u03bf\u03c1\u03ae\u03bc\u03b1\u03c4\u03ac \u03bc\u03bf\u03c5, \u03bf\u03bc\u03b9\u03bb\u03af\u03b1 \u03c3\u03c4\u03bf \u0393\u03b1\u03bb\u03bb\u03b9\u03ba\u03cc \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u0392\u03cc\u03bb\u03bf\u03c5<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>Natalia and Christina chapter eleven<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

Maroula of Lemnos<\/strong><\/em><\/p>\n

Short summary of the historical novel Maroula of Lemnos<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>Maroula of Lemnos, review by Vasiliki Lalagianni, \u201cMaroula, Joan of Arc and the multiple female portrayals\u201d<\/strong><\/em><\/a><\/p>\n

\u00a0<\/p>\n

A Trilogy: Maroula of Lemnos, Doxanio, Nikiforos Fokas<\/strong><\/em><\/p>\n

Trilogy: Maroula of Lemnos, Doxanio, Nikiforos Fokas<\/a><\/strong><\/em><\/p>\n

\u00a0<\/p>\n

Youth novels together\u00a0<\/strong><\/em><\/p>\n

Body, remember not only how much you were loved<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>Body, remember not only how much you were loved, review by Dimitris Stamelos<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0 \u00a0<\/strong><\/em>Body remember, small extracts<\/a><\/strong><\/em>\u00a0 \u25a0 \u00a0Interview with the swamp ghost<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Interview with the swamp ghost, review by Litsa Psarafti, \u201cNothing is lost if it has existed\u201d\u00a0<\/strong><\/em><\/a> \u25a0\u00a0 <\/strong><\/em>Interview with the swamp ghost, review by reader Anastasia Efstathiou<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0\u00a0\u00a0<\/strong><\/em>Interview with the swamp ghost, interview with Anastasia Spiridaki, \"A small book for the soul\u201c<\/strong><\/em><\/a>\u00a0 <\/strong><\/em>\u25a0\u00a0 <\/strong><\/em>\u039f\u03bc\u03b9\u03bb\u03af\u03b1 \u03c3\u03b5 \u03b5\u03ba\u03b4\u03ae\u03bb\u03c9\u03c3\u03b7 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b2\u03b9\u03b2\u03bb\u03af\u03bf \u201c\u03a3\u03c5\u03bd\u03ad\u03bd\u03c4\u03b5\u03c5\u03be\u03b7 \u03bc\u03b5 \u03c4\u03bf \u03c6\u03ac\u03bd\u03c4\u03b1\u03c3\u03bc\u03b1 \u03c4\u03bf\u03c5 \u03b2\u03ac\u03bb\u03c4\u03bf\u03c5\u201d \u03c3\u03c4\u03b7\u03bd \u039b\u03b5\u03cc\u03bd\u03c4\u03b5\u03b9\u03bf \u03a3\u03c7\u03bf\u03bb\u03ae, \u039c\u03ac\u03b9\u03bf\u03c2 2018<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Small cage<\/a>\u00a0 \u25a0\u00a0 <\/strong><\/em>Paper faces<\/a>\u00a0 \u25a0\u00a0\u00a0<\/strong><\/em>Grey city<\/a>\u00a0 \u25a0 \u00a0<\/strong><\/em>Grey City, review by Zoe Samara<\/a>\u00a0 \u25a0\u00a0\u00a0
<\/strong><\/em>Grey City, review by Andreas Karantonis<\/strong><\/em><\/a><\/p>","protected":false},"excerpt":{"rendered":"

FIRST PASSAGE:The Agony of Matter Winter will find me nakedIn a dilapidated roomWith time welling up through the holes of the floorsWinter will find me stirring the ashes of my poetryA handful of words — like star or bloodLike I wander or oath — likeSouls can smell — I burn them to warm myself. Winter […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","spay_email":""},"_links":{"self":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6045"}],"collection":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/comments?post=6045"}],"version-history":[{"count":364,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6045\/revisions"}],"predecessor-version":[{"id":8802,"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/pages\/6045\/revisions\/8802"}],"wp:attachment":[{"href":"https:\/\/marialampadaridoupothou.gr\/en\/wp-json\/wp\/v2\/media?parent=6045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}